Overview

The Geography of Nowhere traces America's evolution from a nation of Main Streets and coherent communities to a land where every place is like no place in particular, where the cities are dead zones and the countryside is a wasteland of cartoon architecture and parking lots. In elegant and often hilarious prose, Kunstler depicts our nation's evolution from the Pilgrim settlements to the modern auto suburb in all its ghastliness. The Geography of Nowhere tallies up the huge economic, social, and spiritual costs that America is paying for its car-crazed lifestyle. It is also a wake-up call for citizens to reinvent the places where we live and work, to build communities that are once again worthy of our affection. Kunstler proposes that by reviving civic art and civic life, we will rediscover public virtue and a new vision of the common good. ""The future will require us to build better places,"" Kunstler says, ""or the future will belong to other people in other societies.""

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Reviews

Robert Taylor Boston Globe A wonderfully entertaining useful and provocative account of the American environment by the auto, suburban developers, purblind zoning and corporate pirates.

It's no news that many Americans live in a spread-out, privatized suburban wasteland without community or centers; that much landscape has given way to ugly sprawl; that this condition may be due to systematic policies on the part of government and industrial forces; and that the automobile is the engine that has driven us there. What novelist Kunstler (The Halloween Ball, 1987, etc.) does here is to explore and deplore these developments. Kunstler traces, from the nation's beginnings, the implications of changing architecture styles; the manifestations of our extreme emphasis on private-property rights and low regard for the public realm; and the destruction that our car-centered life has visited on American communities in general and certain profiled older towns and cities in particular. His discussions of specific places - chosen to represent such concepts as an old industrial metropolis gone to hell (Detroit); how to mess up a town (Saratoga Springs, New York); the most hopeful and progressive trends in...urban planning (Portland, Oregon); and sinister commercial myth-mongering that distorts small-town reality (Disney World) - lack the original ideas, cutting analysis, and stimulating insights that characterized last year's Variations on a Theme Park (ed., Michael Sorkin). But for a more popular audience, Kunstler provides an accessible overview that's all the more interesting and effective for his frankly expressed and all-enveloping viewpoint. If his attachment to the small towns of the past seems an insufficient answer to the problems of the present and future, his depiction of those problems is on target. And the author makes a persuasive case for convicting the private automobile of a gamut of 20th-century ills: the Great Depression; the death of the cities and of the family farm; the trashy consumerism that has driven the economy since the end of WW II; voodoo economics; the S&L crisis; and global environmental degradation. An informative and well-integrated polemic. (Kirkus Reviews)

Author Information

James Howard Kunstler is the author of eight novels. He has worked as a newspaper reporter and an editor for Rolling Stone, and is a frequent contributor to The New York Times Sunday Magazine. He lives in upstate New York.

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