Overview

"The Great Mississippi Flood of 1927, which covered nearly thirty thousand square miles across seven states, was the most destructive river flood in U.S. history. Due to the speed of new media and the slow progress of the flood, this was the first environmental disaster to be experienced on a mass scale. As it moved from north to south down an environmentally and technologically altered valley, inundating plantations and displacing more than half a million people, the flood provoked an intense and lasting cultural response. The Flood Year 1927 draws from newspapers, radio broadcasts, political cartoons, vaudeville, blues songs, poetry, and fiction to show how this event took on public meanings. Americans at first seemed united in what Herbert Hoover called a ""great relief machine,"" but deep rifts soon arose. Southerners, pointing to faulty federal levee design, decried the attack of Yankee water. The condition of African American evacuees in ""concentration camps"" prompted pundits like W.E.B. Du Bois and Ida B. Wells to warn of the return of slavery to Dixie. And environmentalists like Gifford Pinchot called the flood ""the most colossal blunder in civilized history.""Susan Scott Parrish examines how these and other key figures--from entertainers Will Rogers, Miller & Lyles, and Bessie Smith to authors Sterling Brown, William Faulkner, and Richard Wright--shaped public awareness and collective memory of the event. The crises of this period that usually dominate historical accounts are war and financial collapse, but The Flood Year 1927 enables us to assess how mediated environmental disasters became central to modern consciousness."

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Reviews

Parrish's . . . deeply researched narrative . . . rewards dedicated general readers. It requires no doctorate to appreciate her rendering of the remarkable back story to Bessie Smith's `Backwater Blues'; her insightful discussion of the trauma's conversion into enduring works of literary fiction by William Faulkner, Richard Wright, and Zora Neale Hurston; her analysis of the persistent North/South hostility that complicated relief efforts; and her survey of 1927's vaudeville scene, from the subversive African-American stars Miller and Lyles to the high-profile, widely influential, and, in the author's telling, somewhat problematic Will Rogers. As a cubist might, Parrish paints a multifaceted portrait of catastrophe: sometimes puzzling, often surprising, and wholly original. --Kirkus Using vivid explanations of key literary and musical works complemented by contemporary illustrations, Parrish . . . successfully demonstrates that the Great Mississippi Flood of 1927 left a lasting, modernizing cultural imprint. . . . A thoughtful comparison of 1927's events to 2005's Hurricane Katrina aftermath highlights continuing issues concerning the manipulation of natural flood controls and its effect on impoverished, low-lying neighborhoods. Throughout, Parrish successfully and eloquently captures the sense of humanity and personal loss among the million refugees whose experiences gave rise to artistic efforts and environmental issues that continue to resonate. --Publishers Weekly

"""Using vivid explanations of key literary and musical works complemented by contemporary illustrations, Parrish ... successfully demonstrates that the Great Mississippi Flood of 1927 left a lasting, modernizing cultural imprint... A thoughtful comparison of 1927's events to 2005's Hurricane Katrina aftermath highlights continuing issues concerning the manipulation of natural flood controls and its effect on impoverished, low-lying neighborhoods. Throughout, Parrish successfully and eloquently captures the sense of humanity and personal loss among the million refugees whose experiences gave rise to artistic efforts and environmental issues that continue to resonate.""--Publishers Weekly ""Parrish's ... deeply researched narrative ... rewards dedicated general readers. It requires no doctorate to appreciate her rendering of the remarkable back story to Bessie Smith's 'Backwater Blues'; her insightful discussion of the trauma's conversion into enduring works of literary fiction by William Faulkner, Richard Wright, and Zora Neale Hurston; her analysis of the persistent North/South hostility that complicated relief efforts; and her survey of 1927's vaudeville scene, from the subversive African-American stars Miller and Lyles to the high-profile, widely influential, and, in the author's telling, somewhat problematic Will Rogers. As a cubist might, Parrish paints a multifaceted portrait of catastrophe: sometimes puzzling, often surprising, and wholly original.""--Kirkus"

Parrish's ... deeply researched narrative ... rewards dedicated general readers. It requires no doctorate to appreciate her rendering of the remarkable back story to Bessie Smith's 'Backwater Blues'; her insightful discussion of the trauma's conversion into enduring works of literary fiction by William Faulkner, Richard Wright, and Zora Neale Hurston; her analysis of the persistent North/South hostility that complicated relief efforts; and her survey of 1927's vaudeville scene, from the subversive African-American stars Miller and Lyles to the high-profile, widely influential, and, in the author's telling, somewhat problematic Will Rogers. As a cubist might, Parrish paints a multifaceted portrait of catastrophe: sometimes puzzling, often surprising, and wholly original. --Kirkus

Author Information

Susan Scott Parrish is Professor in the Department of English Language and Literature and the Program in the Environment at the University of Michigan. She is the author of American Curiosity: Cultures of Natural History in the Colonial British Atlantic World.

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