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OverviewHighlights Merleau-Ponty's interest in film and connects it to his aesthetic theory. Full Product DetailsAuthor: Mauro Carbone , Marta NijhuisPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.191kg ISBN: 9781438458786ISBN 10: 1438458789 Pages: 128 Publication Date: 02 July 2016 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsCarbone reveals the invisible in Merleau-Ponty with musical grace and resonance. - Phenomenological Reviews The elegant style of Carbone's prose-crafted with a certain cadence and phrasing, an inimitable world of language-nevertheless does not conceal the complexity of his scholarly research. - Notre Dame Philosophical Reviews The elegant style of Carbone's prose-crafted with a certain cadence and phrasing, an inimitable world of language-nevertheless does not conceal the complexity of his scholarly research. - Notre Dame Philosophical Reviews Author InformationMauro Carbone is Full Professor of Philosophy at the University of Lyon 3 and a senior member of the Institut Universitaire de France. His books include An Unprecedented Deformation: Marcel Proust and the Sensible Ideas (translated by Niall Keane), also published by SUNY Press. Marta Nijhuis is Lecturer in Philosophy and Theory of Images at the University of Lyon 3 and at EAC Lyon. Tab Content 6Author Website:Countries AvailableAll regions |