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9781517911591

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Reviews

""The Flesh of Animation is a timely and important intervention into the burgeoning conversation about embodiment in animation and digital media. Sandra Annett’s deep dive into the affective maelstrom of contemporary animation will reveal to any remaining doubters that animation is a force to be reckoned with, crisscrossing the borders between individual and geopolitical identities to shape the worlds and bodies in which we live.""—Deborah Levitt, author of The Animatic Apparatus: Animation, Vitality, and the Futures of the Image   ""In drawing from such a diverse range of theoretical frameworks, the book offers many valuable insights surrounding embodiment in film and digital media. Overall, The Flesh of Animation provides the reader with a perspective on how animation shapes embodied experiences.""—Animation Studies 2.0 ""A treasure trove of in-depth research and exploration into the various forms of films that animation takes on.""—Film International ""Annett offers a nuanced appraisal of entanglements between different styles of animation, as well as fertile ground for future research on virtual practices."" —Journal of Popular Culture  

""The Flesh of Animation is a timely and important intervention into the burgeoning conversation about embodiment in animation and digital media. Sandra Annett’s deep dive into the affective maelstrom of contemporary animation will reveal to any remaining doubters that animation is a force to be reckoned with, crisscrossing the borders between individual and geopolitical identities to shape the worlds and bodies in which we live."" —Deborah Levitt, author of The Animatic Apparatus: Animation, Vitality, and the Futures of the Image  

"""The Flesh of Animation is a timely and important intervention into the burgeoning conversation about embodiment in animation and digital media. Sandra Annett’s deep dive into the affective maelstrom of contemporary animation will reveal to any remaining doubters that animation is a force to be reckoned with, crisscrossing the borders between individual and geopolitical identities to shape the worlds and bodies in which we live."" —Deborah Levitt, author of The Animatic Apparatus: Animation, Vitality, and the Futures of the Image  "

Author Information

Sandra Annett is associate professor of film studies at Wilfred Laurier University. She is coeditor-in-chief of the journal Mechademia: Second Arc, published by University of Minnesota Press.

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