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OverviewFull Product DetailsAuthor: Pannill Camp (Washington University, St Louis)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 15.00cm , Height: 1.70cm , Length: 22.80cm Weight: 0.460kg ISBN: 9781107437401ISBN 10: 1107437407 Pages: 300 Publication Date: 14 December 2017 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: the 'first frame' of Enlightenment theatre space; 1. The divided scene of theatre space in the Neo-classical era; 2. The theatrical frame in French Neo-classical dramatic theory; 3. Enlightenment spectators and the theatre of experiment; 4. Theatre architecture reform and the spectator as sense function; 5. Optics and stage space in Enlightenment theatre design; Epilogue: modern spectatorial consciousness; Appendix: dedicated public theatres built in France, 1752–90.Reviews'... his innovative approach and finely marshalled erudition make this sophisticated study of great value to those interested in European theatre history.' Thomas Wynn, French Studies '... his innovative approach and finely marshalled erudition make this sophisticated study of great value to those interested in European theatre history.' Thomas Wynn, French Studies '… his innovative approach and finely marshalled erudition make this sophisticated study of great value to those interested in European theatre history.' Thomas Wynn, French Studies '... his innovative approach and finely marshalled erudition make this sophisticated study of great value to those interested in European theatre history.' Thomas Wynn, French Studies Author InformationPannill Camp is Assistant Professor of Drama at Washington University, St Louis. His research examines points of intersection between theatre history and the history of philosophy, especially in eighteenth-century France. Before joining the faculty of Washington University, he was a postdoctoral fellow at the Humanities Center at Harvard University, Massachusetts and taught in Harvard's Department of the History of Art and Architecture. At Brown University, Rhode Island, he won the Joukowski Family Foundation's Award for Outstanding Dissertation in the Humanities, and the Weston Award for theatre directing. His work has been published in journals including Theatre Journal, Performance Research, the Journal for Eighteenth-Century Studies, and the Journal of Dramatic Theory and Criticism. Tab Content 6Author Website:Countries AvailableAll regions |