The Films of Hal Ashby

Author:   Christopher Beach
Publisher:   Wayne State University Press
ISBN:  

9780814334157


Pages:   208
Publication Date:   30 September 2009
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Films of Hal Ashby


Overview

This title analyzes the films and filmmaking career of director Hal Ashby, placing his work in the cultural context of filmmaking in the 1970s. Hal Ashby directed eleven feature films over the course of his career and was an important figure in the Hollywood Renaissance of the late 1960s and 1970s. Though he was a member of the same generation of filmmakers as Martin Scorsese, Francis Ford Coppola, and Robert Altman, Ashby has received comparatively little critical or scholarly validation for his work. Author Christopher Beach argues that despite his lower profile, Ashby was an exceptionally versatile and unusually creative director. Beach focuses primarily on Ashby's first seven films - ""The Landlord"", ""Harold and Maude"", ""The Last Detail"", ""Shampoo"", ""Bound for Glory"", ""Coming Home"", and ""Being There"" - to analyze Ashby's contributions to filmmaking culture in the 1970s. The first two chapters of this volume provide an overview of Ashby's filmmaking career, as Beach makes the case for Ashby's status as an auteur and provides a biographical survey of Ashby's most productive and successful decade, the 1970s. In the following chapters, Beach analyzes groups of films to uncover important thematic concerns in Ashby's work, including the treatment of a young male protagonist in ""The Landlord"" and ""Harold and Maude"", the representation of the U.S. military in ""The Last Detail"" and ""Coming Home"", and the role of television and mass media in ""Shampoo"" and ""Being There"". Beach also examines the crucial role of the musical score in Ashby's films, as well as the rapid decline of the director's career after Being There. ""The Films of Hal Ashby"" is based on Beach's extensive use of unpublished archival materials, as well as a number of interviews with actors, directors, producers, cinematographers, and others involved in the making of Ashby's films. This volume will interest film and television scholars, as well as readers interested in filmmakers of the 1970s.

Full Product Details

Author:   Christopher Beach
Publisher:   Wayne State University Press
Imprint:   Wayne State University Press
Dimensions:   Width: 16.00cm , Height: 1.30cm , Length: 22.50cm
Weight:   0.339kg
ISBN:  

9780814334157


ISBN 10:   0814334156
Pages:   208
Publication Date:   30 September 2009
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

Christopher Beach's study of the rise and fall of Hal Ashby not only enlightens us about the inner workings of the director's films but about the decade of the 1970s when he did his best work. This is an important addition to our understanding of the 'new Hollywood' and the changes in filmmaking of which Ashby's films were so much a part. --Robert Kolker author of A Cinema of Loneliness Incredibly, there has been no critical biography of the ex-Mormon hippie who made the brilliant, prescient Being There (and Harold and Maude, Coming Home, and Shampoo)-until now. Christopher Beach brings Hal Ashby and his smart, quirky films into sharp and appreciative focus.--Ed Sikov author of Mr. Strangelove: A Biography of Peter Sellers


Incredibly, there has been no critical biography of the ex-Mormon hippie who made the brilliant, prescient Being There (and Harold and Maude, Coming Home, and Shampoo)-until now. Christopher Beach brings Hal Ashby and his smart, quirky films into sharp and appreciative focus.--Ed Sikov author of Mr. Strangelove: A Biography of Peter Sellers Christopher Beach's study of the rise and fall of Hal Ashby not only enlightens us about the inner workings of the director's films but about the decade of the 1970s when he did his best work. This is an important addition to our understanding of the 'new Hollywood' and the changes in filmmaking of which Ashby's films were so much a part. --Robert Kolker author of A Cinema of Loneliness


Christopher Beach's study of the rise and fall of Hal Ashby not only enlightens us about the inner workings of the director's films but about the decade of the 1970s when he did his best work. This is an important addition to our understanding of the 'new Hollywood' and the changes in filmmaking of which Ashby's films were so much a part.""--Robert Kolker ""author of A Cinema of Loneliness "" Incredibly, there has been no critical biography of the ex-Mormon hippie who made the brilliant, prescient Being There (and Harold and Maude, Coming Home, and Shampoo)-until now. Christopher Beach brings Hal Ashby and his smart, quirky films into sharp and appreciative focus.--Ed Sikov ""author of Mr. Strangelove: A Biography of Peter Sellers ""


Author Information

Christopher Beach is author of several books, including Class, Language, and American Film Comedy, The Cambridge Introduction to Twentieth-Century American Poetry, and Poetic Culture: Contemporary American Poetry between Community and Institution.

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