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OverviewFull Product DetailsAuthor: Gustavo MercadoPublisher: Taylor & Francis Ltd Imprint: CRC Press Edition: 2nd edition Weight: 0.800kg ISBN: 9781138780316ISBN 10: 1138780316 Pages: 244 Publication Date: 02 June 2022 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contentsacknowledgments; preface to the second edition; introduction; finding the frame; image systems; rules of cinematic composition & technical concepts; SIZES; extreme close‒up; close‒up; medium close‒up; medium shot; medium long shot; long shot; extreme long shot; CONVENTIONS; over the shoulder shot; establishing shot; subjective shot; two shot; group shot; split‒screen shot; canted shot; overhead shot; inverted shot; emblematic shot; abstract shot; macro shot; zoom shot; DYNAMICS; pan shot; tilt shot; dolly shot; dolly zoom shot; tracking shot; Steadicam® shot*; crane shot; aerial shot; sequence shot; filmography; image credits; indexReviewsPraise for the First Edition: Mercado's book is a great resource for aspiring cinematographers. Using a brilliant selection of images, both classic and contemporary, he eloquently analyzes the conception and execution of a shot. Most important, he manages to explain how to achieve an aesthetically beautiful image, while giving equal weight to the powerful role of cinematography in portraying the characters and telling the story. Florian Ballhaus, Cinematographer whose credits include The Devil Wears Prada, Marley and Me, Flightplan Author InformationGustavo Mercado is an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of The Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic Composition, was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eye film book series, The Language of the Lens: The Power of Lenses and The Expressive Cinematic Image was translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College’s Film & Media Studies Department in New York City. Tab Content 6Author Website:Countries AvailableAll regions |