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9781349575435

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'Terence Patrick Murphy's book makes a fundamental contribution to narratology. By combining linguistics, philology, philosophy and folk studies, and thanks to a huge knowledge of the critical literature, Murphy thoroughly investigates the structure and the limits of Propp's major work. This book is recommended to everybody interested in the study of narrative and theory of literature.' Luciano Vitacolonna, University of Chieti-Pescara, Italy 'In this book, Professor Murphy challenges one of Vladimir Propp's central tenets that 31 action types constitute the vocabulary from which, in a canonical sequence, genuine tale plots can be composed. By comparing such sequences to genotypes, he offers a rich set of counterexamples which call for an unbiased reconsideration.' Sandor Daranyi, University of Boras, Sweden

'Terence Patrick Murphy's book makes a fundamental contribution to narratology. By combining linguistics, philology, philosophy and folk studies, and thanks to a huge knowledge of the critical literature, Murphy thoroughly investigates the structure and the limits of Propp's major work. This book is recommended to everybody interested in the study of narrative and theory of literature.' Luciano Vitacolonna, University of Chieti-Pescara, Italy 'In this book, Professor Murphy challenges one of Vladimir Propp's central tenets that 31 action types constitute the vocabulary from which, in a canonical sequence, genuine tale plots can be composed. By comparing such sequences to genotypes, he offers a rich set of counterexamples which call for an unbiased reconsideration.' Sandor Daranyi, University of Boras, Sweden

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Terence Patrick Murphy is Full Professor of Rhetoric and Composition in the English Department at Yonsei University, South Korea. He was educated at the University of Toronto and Merton College, Oxford, where he wrote his doctoral dissertation on the history of the little magazine in England. He has published essays in such journals as the Journal of Narrative Theory; Narrative; Language and Literature and Style. His major research interest is the stylistics of short fiction and the semiotics of film screenplays

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