|
|
|||
|
||||
OverviewThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold. To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure. Full Product DetailsAuthor: Keyvan Manafi (Arts Academic Programs Advisor, University of New South Wales)Publisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 1.60cm , Length: 23.40cm Weight: 0.535kg ISBN: 9781399507240ISBN 10: 1399507249 Pages: 256 Publication Date: 14 February 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsFigures Acknowledgements The Ethical and the Image The Image and the Body The Body and the Camera Literal Durations and Cinematic Parallelism The Inhuman Eye and the Formless Body Re-enactment, Proxies and the Facing Image The Withdrawal of the Body The Offscreen and the Promise of the Image Coda Bibliography IndexReviews""Proposing a novel marriage between Bazinian realism and Levinasian philosophy, Keyvan Manafi's The Eye of the Cinematograph compellingly asks us to look closely at the filmed body in all its promises and indeterminacies. This is an elegantly written book that sheds new light on the confluences between film ethics, nonprofessional acting and durational cinema."" -Tiago de Luca, University of Warwick """Proposing a novel marriage between Bazinian realism and Levinasian philosophy, Keyvan Manafi's The Eye of the Cinematograph compellingly asks us to look closely at the filmed body in all its promises and indeterminacies. This is an elegantly written book that sheds new light on the confluences between film ethics, nonprofessional acting and durational cinema."" -Tiago de Luca, University of Warwick" Author InformationKeyvan Manafi completed his PhD in film and philosophy at the University of New South Wales, Sydney, where he currently works as an Arts academic programs advisor. Tab Content 6Author Website:Countries AvailableAll regions |
||||