Overview

Ramshankar Ray's Bibasini (1891), believed to be the second full length novel in Odia, the first being Umesh Chandra Sarkar's Padmamali (1888), is a novel with an intricately woven plot structure written in style that is at once descriptive, informative, and lyrical. Viewed mostly as a work of fiction delicately poised between a historical romance and a socio-political narrative, Bibasini relates to the period of Maratha hegemony over Odisha spanning from 1751 till the British occupation of the province in 1803. It holds out a panoramic view of Odisha reeling under the tyranny of the Maratha ruler Shambhuji Ganesh Rao during 1769 to 1771, and of the native resistance offered in terms of sporadic but organised assaults launched on the oppressors and collaborators by the Bhuyan dacoits acting at the instances and with the support of the king of Kujanga, Paradip. The plot that seemingly centres round a tragic love story is actually a complex one, knitting many strands of random episodes into an attractive and coherent tale of unmerited suffering, of crime and vengeance, of sin and retribution. The novel is thronged with characters from different socio-cultural backgrounds, portraying multiple contours of Odisha, the social, cultural, economic and religious ones being the most pronounced amongst them. The novel chronicles the agrarian crisis in Odisha during the Maratha rule and the debacle of the famine that threatened to bring the peasantry of Odisha down to a state of collapse. It narrates the hardship and the misery of the common man especially those who earned their living through farming, had to pass through under the repressive measures of a tyrannous governance and the selfishness and all-devouring avarice of the moneyed local landowners or zamindars. It is also a gripping tale of a band of burglars, motivated by a romanticised ideal of plundering the rich to sustain the poor, assuming the role of the vindicators of socio-economic equality. They declare themselves as the god's chosen moral agents for delivering violent justice to the wrongdoers. At the same time the novel camouflages a satire on the hollow morals of a socio-cultural system that compels a Hindu widow to practice religious austerity and denies her the right of living the life of a normal woman. The novel also details the spread of a new religious cult, Vaishnavism, in Odisha that advocated the worship of Lord Hari( Vishnu) and pleaded against a discriminatory caste system that deprived the people of the lesser caste and poor economic status of their legitimate rights. The preachings of the Vaishnava monks Hanuman Dasa and Giridhari Dasa, appears to reflect a semblance of the mystique.

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9781645605188

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The world neglected by historians has been explored by creative writers in their novels and autobiographies. The abbot of the monastery in Padmamali (1888) is a Maratha soldier who chooses to stay in Odisha even after the Marathas cede the province to the British. The central action of Bibasini (1891) unfolds against the background of resistance against Maratha misrule. It keeps shifting between Paradeep, where Robin Hood figures rob the agents of Maratha rule to bring succor to the oppressed subjects, and Cuttack, the seat of Maratha power. In this unusual endeavour they have the support of the king of Paradeep and the blessings of two hermits. One can easily detect the influence of Bankim Chandra Chatterjee's Ananda Matha here but there the resemblance ends. Regeneration of Hinduism is no part of the agenda of the author of Bibasini. --- Prof. Jatindra K. Nayak

Author Information

Ramshankar Ray (1857-1931) was an accomplished novelist and Playwright. He published three novels (Soudamini, Bibasini, Unmadini) and fourteen plays (Kanchikaberi, Kalikala, Budhabara, Banabala, Badaloka, Bishwajajna, Bishamodaka, Jugadharma, Kanchanamali, Leelabati, Ramabanabasa, Kanshabadha, Chaitanyaleela, Ramabhisheka). Besides writing, he was regularly arranging theatres too. Also, he was a social activist and headed Cuttack Municipality for over three decades. Dr. Snehaprava Das, former Associate Professor of English, is a poet and translator of eminence. She has translated several Odia novels, poems, play, short stories and nonfiction writings in English. She has five collections of English poems to her credit. She has been awarded the Prabashi Bhasha Sahitya Sammana by The Intellect, New Delhi, The Jibanananda Das Award by The Antonym, Kolkata, and The Fakir Mohan Anubad Sammana by the Fakir Mohan Sahitya Parishad for her translation.

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