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OverviewFull Product DetailsAuthor: Jonah Siegel (Professor of English, Professor of English, Rutgers University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 15.60cm , Height: 2.10cm , Length: 23.40cm Weight: 0.562kg ISBN: 9780199733576ISBN 10: 0199733570 Pages: 404 Publication Date: 13 August 2009 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsPreface Chronology Introduction Part One: From Collection to Museum 1. Private Collections 2. Towards a Public Art Collection 3. The Public in the Museum Part Two: Rationalizing the National Collections 4. Art and the National Gallery 5. Natural History and the British Museum 6. Pedagogy: South Kensington and the Provinces 7. Reform and Psychology of Museum Attendance 8. From Wonders to Signs: Anthropology and Archeology 9. Exhibiting India Glossary of Frequently Cited Collectors and Collections Contributors and Witnesses Suggestions for Further Reading IndexReviewsThis deftly selected anthology provides striking insights into the debates about the formation of museum collections, their social mission, class address, and their relationship to the state and empire in nineteenth-century Britain. These texts, many of them previously inaccessible, reveal in vivid language the discursive and political struggles surrounding the difficult birth of the museum in the world's first industrial nation. Today's museum curators and visitors are the heirs to these controversies-many of them still unresolved. Tim Barringer, Yale University This deftly selected anthology provides striking insights into the debates about the formation of museum collections, their social mission, class address, and their relationship to the state and empire in nineteenth-century Britain. These texts, many of them previously inaccessible, reveal in vivid language the discursive and political struggles surrounding the difficult birth of the museum in the world's first industrial nation. Today's museum curators and visitors are the heirs to these controversies-many of them still unresolved. -Tim Barringer, Yale University [This] illuminating anthology . . . provide[s] a vivid insight into the social and political forces that shaped museums as cultural venues. A valuable addition to the growing body of literature that documents the great 'Age of the Museum.' -Brendan Moore, British Museum Magazine <br> This deftly selected anthology provides striking insights into the debates about the formation of museum collections, their social mission, class address, and their relationship to the state and empire in nineteenth-century Britain. These texts, many of them previously inaccessible, reveal in vivid language the discursive and political struggles surrounding the difficult birth of the museum in the world's first industrial nation. Today's museum curators and visitors are the heirs to these controversies-many of them still unresolved. -Tim Barringer, Yale University <br><br> [This] illuminating anthology . . . provide[s] a vivid insight into the social and political forces that shaped museums as cultural venues. A valuable addition to the growing body of literature that documents the great 'Age of the Museum.' -Brendan Moore, British Museum Magazine <br> <br><br> This deftly selected anthology provides striking insights into the debates about the formation of museum collections, their social mission, class address, and their relationship to the state and empire in nineteenth-century Britain. These texts, many of them previously inaccessible, reveal in vivid language the discursive and political struggles surrounding the difficult birth of the museum in the world's first industrial nation. Today's museum curators and visitors are the heirs to these controversies-many of them still unresolved. * Tim Barringer, Yale University * Author InformationJonah Siegel Siegel is Professor of English at Rutgers University and President of the Northeast Victorian Studies Association. He is the author of Haunted Museum: Longing, Travel, and the Art-Romance Tradition and Desire & Excess: The Nineteenth-Century Culture of Art. Tab Content 6Author Website:Countries AvailableAll regions |
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