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9780271029054

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This catalogue represents a real contribution and original and convincing explanations for the reason to consider the work of painter/etchers as a category apart.... I believe that this will become a useful and well-used resource for print historians, and will be one of the museum catalogues that will become more than a souvenir of a fascinating exhibit. - Evelyn Lincoln, Brown University

""This catalogue represents a real contribution and original and convincing explanations for the reason to consider the work of painter/etchers as a category apart.... I believe that this will become a useful and well-used resource for print historians, and will be one of the museum catalogues that will become more than a souvenir of a fascinating exhibit."" - Evelyn Lincoln, Brown University""

Author Information

Michael Cole is Associate Professor of the History of Art at the University of Pennsylvania. He is the author of Cellini and the Principles of Sculpture (2002) and the co-editor of Inventions of the Studio, Renaissance to Romanticism (2004).

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