The Dynamic Frame: Camera Movement in Classical Hollywood

Awards:   Long-listed for Richard Wall Memorial Award, Theatre Library Association 2019 Long-listed for Richard Wall Memorial Award, Theatre Library Association 2020
Author:   Patrick Keating (Assistant Professor, Trinity University)
Publisher:   Columbia University Press
ISBN:  

9780231190503


Pages:   368
Publication Date:   19 February 2019
Format:   Hardback
Availability:   Out of stock   Availability explained
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The Dynamic Frame: Camera Movement in Classical Hollywood


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Awards

  • Long-listed for Richard Wall Memorial Award, Theatre Library Association 2019
  • Long-listed for Richard Wall Memorial Award, Theatre Library Association 2020

Overview

Full Product Details

Author:   Patrick Keating (Assistant Professor, Trinity University)
Publisher:   Columbia University Press
Imprint:   Columbia University Press
ISBN:  

9780231190503


ISBN 10:   0231190506
Pages:   368
Publication Date:   19 February 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Reviews

Camera movement, while widely acknowledged as a major aspect of film style and narration has not had a historical study devoted to it, and certainly has not been probed with the degree of specific analysis that Keating does here. The combination of detailed careful viewing of a wide range of films in order to isolate significant instances of camera movement and the ability to provide an overview of the issues discussed by cinematographers, directors and critics in the era the films were made is literally something no other scholar has done -- and I would add probably no other scholar could do so well. The Dynamic Frame should become a classic in film studies literature.--Tom Gunning, University of Chicago


This book will become the definitive study of moving camera in American cinema during this period. I know of no other work approaching the depth, quality, and comprehensiveness of this book.--Charles Maland, University of Tennessee Patrick Keating provides his requisite impeccably researched analysis, once again upending what we think we know about cinema history. As the leading scholar of cinematography in cinema and media studies, Keating challenges and enriches our understanding of the moving camera in classical Hollywood as well as the studio era's aesthetic debates. Keating's close viewings, technological expertise, and precise language provide a lively and rigorous account essential to one of cinema's most complex but understudied areas.--Julie Turnock, University of Illinois at Urbana-Champaign Through two masterful volumes on basic techniques of American cinema across the decades, Patrick Keating has essentially rewritten the history of cinematic style from the ground up in productive fashion. As he did for lighting practices in the stunning Hollywood Lighting, Keating once again combines sharp, smart primary research; concrete and complex close reading; and far-ranging cultural reflection to capture precise ways movies told resonant stories rich in visual impact.--Dana Polan, New York University Camera movement, while widely acknowledged as a major aspect of film style and narration, has not had a historical study devoted to it, and certainly has not been probed with the degree of specific analysis that Keating does here. The combination of detailed careful viewing of a wide range of films in order to isolate significant instances of camera movement and the ability to provide an overview of the issues discussed by cinematographers, directors, and critics in the era the films were made is literally something no other scholar has done--and I would add probably no other scholar could do so well. The Dynamic Frame should become a classic in film studies literature.--Tom Gunning, University of Chicago


This book will become the definitive study of moving camera in American cinema during this period. I know of no other work approaching the depth, quality, and comprehensiveness of this book.--Charles Maland, University of Tennessee Patrick Keating provides his requisite impeccably researched analysis, once again upending what we think we know about cinema history. As the leading scholar of cinematography in cinema and media studies, Keating challenges and enriches our understanding of the moving camera in classical Hollywood as well as the studio era's aesthetic debates. Keating's close viewings, technological expertise, and precise language provide a lively and rigorous account essential to one of cinema's most complex but understudied areas.--Julie Turnock, University of Illinois at Urbana-Champaign Camera movement, while widely acknowledged as a major aspect of film style and narration, has not had a historical study devoted to it and certainly has not been probed with the degree of specific analysis that Keating uses here. The combination of detailed careful viewing of a wide range of films in order to isolate significant instances of camera movement and the ability to provide an overview of the issues discussed by cinematographers, directors, and critics in the era the films were made is literally something no other scholar has done--and I would add probably no other scholar could do so well. The Dynamic Frame should become a classic in film studies literature.--Tom Gunning, University of Chicago Through two masterful volumes on basic techniques of American cinema across the decades, Patrick Keating has essentially rewritten the history of cinematic style from the ground up in productive fashion. As he did for lighting practices in the stunning Hollywood Lighting, Keating once again combines sharp, smart primary research; concrete and complex close reading; and far-ranging cultural reflection to capture precise ways movies told resonant stories rich in visual impact.--Dana Polan, New York University


This book will become the definitive study of moving camera in American cinema during this period. I know of no other work approaching the depth, quality, and comprehensiveness of this book.--Charles Maland, University of Tennessee Patrick Keating provides his requisite impeccably researched analysis, once again upending what we think we know about cinema history. As the leading scholar of cinematography in Cinema and Media Studies, Keating challenges and enriches our understanding of the moving camera in Classical Hollywood as well as the studio era's aesthetic debates. Keating's close viewings, technological expertise, and precise language provide a lively and rigorous account essential to one of cinema's most complex but understudied areas.--Julie Turnock, University of Illinois at Urbana-Champaign Through two masterful volumes on basic techniques of American cinema across the decades, Patrick Keating has essentially re-written the history of cinematic style from the ground up in productive fashion. As he did for lighting practices in the stunning Hollywood Lighting, Keating once again combines sharp, smart primary research; concrete and complex close reading; and far-ranging cultural reflection to capture precise ways movies told resonant stories rich in visual impact.--Dana Polan, New York University Camera movement, while widely acknowledged as a major aspect of film style and narration has not had a historical study devoted to it, and certainly has not been probed with the degree of specific analysis that Keating does here. The combination of detailed careful viewing of a wide range of films in order to isolate significant instances of camera movement and the ability to provide an overview of the issues discussed by cinematographers, directors and critics in the era the films were made is literally something no other scholar has done -- and I would add probably no other scholar could do so well. The Dynamic Frame should become a classic in film studies literature.--Tom Gunning, University of Chicago


This book will become the definitive study of moving camera in American cinema during this period. I know of no other work approaching the depth, quality, and comprehensiveness of this book.--Charles Maland, University of Tennessee, Knoxville Camera movement, while widely acknowledged as a major aspect of film style and narration has not had a historical study devoted to it, and certainly has not been probed with the degree of specific analysis that Keating does here. The combination of detailed careful viewing of a wide range of films in order to isolate significant instances of camera movement and the ability to provide an overview of the issues discussed by cinematographers, directors and critics in the era the films were made is literally something no other scholar has done -- and I would add probably no other scholar could do so well. The Dynamic Frame should become a classic in film studies literature.--Tom Gunning, University of Chicago


Author Information

Patrick Keating is associate professor of communication at Trinity University, where he teaches courses in film studies and video production. He is the author of Hollywood Lighting from the Silent Era to Film Noir (Columbia, 2010).

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