Overview

Full Product Details

9781632865298

Table of Contents

Reviews

Stories flow from every page: about his talented and eccentric family in Los Angeles of the 1920s-30s; reminiscences of artists famous and obscure; of art collectors and institutions. Learned but far from stuffy, Hopps merged life and career into one passionate, improvisatory, gonzo experience, his voice and personality present here. * Library Journal * A scintillating and revelatory volume . . . Hopps was a genuine original whose influence will continue to radiate. * Booklist * Walter Hopps was everyone's model of what a curator should be. His landmark exhibitions stay in the mind's eye decades later. Now we have his memoir, a record of Walter's unique personality, his astonishing range of interests and curiosities, and the depth of his feeling for and commitment to the art of his time. Essential reading. -- David Salle Walter Hopps was a celebrated museum curator and director, but he had many of the qualities of an artist--he was original, he was inspired, and he was famously late for appointments. He knew the best stories about artists, or at least about Marcel Duchamp, Joseph Cornell, Robert Rauschenberg and other members of the avant-garde with whom he worked closely. His memoir offers an unusually intimate glimpse at the post-war American art scene. For once, you didn't have to be there, because Hopps was there and tells all. -- Deborah Solomon, author of AMERICAN MIRRO: THE LIFE AND ART OF NORMAN ROCKWELL The Dream Colony immediately provides its reader with the exhilarating conviction that you are in the presence of both the craziest and most sane person you will ever be lucky enough to know. Walter Hopps's prodigious gifts as a storyteller are every bit the equal to the adventures that defined a singularly brilliant and deeply principled life in art. -- Ann Temkin, Chief Curator of Painting and Sculpture, Museum of Modern Art, New York Walter Hopps was one of the greatest talkers I've ever known, and he's at his quirky best in The Dream Colony--a superb evocation of the art world he knew and loved, and a joy to read. -- Calvin Tomkins, NEW YORKER staff writer and author of DUCHAMP: A BIOGRAPHY Walter Hopps, the marvelous mad maven of modern art in America, was one clean gleam of a man--never less than completely inspired and always witty in the extreme. Treisman and Doran have accomplished a small miracle, delivering his voice pitch-perfect to the page. Truly like capturing lightning in a bottle! -- Lawrence Weschler, author of WAVES PASSING IN THE NIGHT

Stories flow from every page: about his talented and eccentric family in Los Angeles of the 1920s-30s; reminiscences of artists famous and obscure; of art collectors and institutions. Learned but far from stuffy, Hopps merged life and career into one passionate, improvisatory, gonzo experience, his voice and personality present here. * Library Journal * A scintillating and revelatory volume . . . Hopps was a genuine original whose influence will continue to radiate. * Booklist * For those unfamiliar with Hopps, this semi-auto-biographical story will be even more delightful--if only for the anecdotes and images . . . [The Dream Colony] should be treasured by art enthusiasts of all stripes. * ArtNet * Walter Hopps was everyone's model of what a curator should be. His landmark exhibitions stay in the mind's eye decades later. Now we have his memoir, a record of Walter's unique personality, his astonishing range of interests and curiosities, and the depth of his feeling for and commitment to the art of his time. Essential reading. -- David Salle Walter Hopps was a celebrated museum curator and director, but he had many of the qualities of an artist--he was original, he was inspired, and he was famously late for appointments. He knew the best stories about artists, or at least about Marcel Duchamp, Joseph Cornell, Robert Rauschenberg and other members of the avant-garde with whom he worked closely. His memoir offers an unusually intimate glimpse at the post-war American art scene. For once, you didn't have to be there, because Hopps was there and tells all. -- Deborah Solomon, author of AMERICAN MIRRO: THE LIFE AND ART OF NORMAN ROCKWELL The Dream Colony immediately provides its reader with the exhilarating conviction that you are in the presence of both the craziest and most sane person you will ever be lucky enough to know. Walter Hopps's prodigious gifts as a storyteller are every bit the equal to the adventures that defined a singularly brilliant and deeply principled life in art. -- Ann Temkin, Chief Curator of Painting and Sculpture, Museum of Modern Art, New York Walter Hopps was one of the greatest talkers I've ever known, and he's at his quirky best in The Dream Colony--a superb evocation of the art world he knew and loved, and a joy to read. -- Calvin Tomkins, NEW YORKER staff writer and author of DUCHAMP: A BIOGRAPHY Walter Hopps, the marvelous mad maven of modern art in America, was one clean gleam of a man--never less than completely inspired and always witty in the extreme. Treisman and Doran have accomplished a small miracle, delivering his voice pitch-perfect to the page. Truly like capturing lightning in a bottle! -- Lawrence Weschler, author of WAVES PASSING IN THE NIGHT

Walter Hopps was everyone's model of what a curator should be. His landmark exhibitions stay in the mind's eye decades later. Now we have his memoir, a record of Walter's unique personality, his astonishing range of interests and curiosities, and the depth of his feeling for and commitment to the art of his time. Essential reading. -- David Salle Walter Hopps was a celebrated museum curator and director, but he had many of the qualities of an artist--he was original, he was inspired, and he was famously late for appointments. He knew the best stories about artists, or at least about Marcel Duchamp, Joseph Cornell, Robert Rauschenberg and other members of the avant-garde with whom he worked closely. His memoir offers an unusually intimate glimpse at the post-war American art scene. For once, you didn't have to be there, because Hopps was there and tells all. -- Deborah Solomon, author of AMERICAN MIRRO: THE LIFE AND ART OF NORMAN ROCKWELL The Dream Colony immediately provides its reader with the exhilarating conviction that you are in the presence of both the craziest and most sane person you will ever be lucky enough to know. Walter Hopps's prodigious gifts as a storyteller are every bit the equal to the adventures that defined a singularly brilliant and deeply principled life in art. -- Ann Temkin, Chief Curator of Painting and Sculpture, Museum of Modern Art, New York Walter Hopps was one of the greatest talkers I've ever known, and he's at his quirky best in The Dream Colony--a superb evocation of the art world he knew and loved, and a joy to read. -- Calvin Tomkins, NEW YORKER staff writer and author of DUCHAMP: A BIOGRAPHY Walter Hopps, the marvelous mad maven of modern art in America, was one clean gleam of a man--never less than completely inspired and always witty in the extreme. Treisman and Doran have accomplished a small miracle, delivering his voice pitch-perfect to the page. Truly like capturing lightning in a bottle! -- Lawrence Weschler, author of WAVES PASSING IN THE NIGHT

A scintillating and revelatory volume ... Hopps was a genuine original whose influence will continue to radiate. Booklist Walter Hopps was everyone's model of what a curator should be. His landmark exhibitions stay in the mind's eye decades later. Now we have his memoir, a record of Walter's unique personality, his astonishing range of interests and curiosities, and the depth of his feeling for and commitment to the art of his time. Essential reading. -- David Salle Walter Hopps was a celebrated museum curator and director, but he had many of the qualities of an artist--he was original, he was inspired, and he was famously late for appointments. He knew the best stories about artists, or at least about Marcel Duchamp, Joseph Cornell, Robert Rauschenberg and other members of the avant-garde with whom he worked closely. His memoir offers an unusually intimate glimpse at the post-war American art scene. For once, you didn't have to be there, because Hopps was there and tells all. -- Deborah Solomon, author of AMERICAN MIRRO: THE LIFE AND ART OF NORMAN ROCKWELL The Dream Colony immediately provides its reader with the exhilarating conviction that you are in the presence of both the craziest and most sane person you will ever be lucky enough to know. Walter Hopps's prodigious gifts as a storyteller are every bit the equal to the adventures that defined a singularly brilliant and deeply principled life in art. -- Ann Temkin, Chief Curator of Painting and Sculpture, Museum of Modern Art, New York Walter Hopps was one of the greatest talkers I've ever known, and he's at his quirky best in The Dream Colony--a superb evocation of the art world he knew and loved, and a joy to read. -- Calvin Tomkins, NEW YORKER staff writer and author of DUCHAMP: A BIOGRAPHY Walter Hopps, the marvelous mad maven of modern art in America, was one clean gleam of a man--never less than completely inspired and always witty in the extreme. Treisman and Doran have accomplished a small miracle, delivering his voice pitch-perfect to the page. Truly like capturing lightning in a bottle! -- Lawrence Weschler, author of WAVES PASSING IN THE NIGHT

An intimate tour through fifty years of American art history. * The New Yorker * In The Dream Colony: A Life in Art, [Walter Hopps's] lively posthumous memoir, we learn all manner of detail from Hopps's life . . . A very good read. * Wall Street Journal * Stories flow from every page: about his talented and eccentric family in Los Angeles of the 1920s-30s; reminiscences of artists famous and obscure; of art collectors and institutions. Learned but far from stuffy, Hopps merged life and career into one passionate, improvisatory, gonzo experience, his voice and personality present here. * Library Journal * A scintillating and revelatory volume . . . Hopps was a genuine original whose influence will continue to radiate. * Booklist * For those unfamiliar with Hopps, this semi-auto-biographical story will be even more delightful--if only for the anecdotes and images . . . [The Dream Colony] should be treasured by art enthusiasts of all stripes. * ArtNet * Walter Hopps was everyone's model of what a curator should be. His landmark exhibitions stay in the mind's eye decades later. Now we have his memoir, a record of Walter's unique personality, his astonishing range of interests and curiosities, and the depth of his feeling for and commitment to the art of his time. Essential reading. -- David Salle Walter Hopps was a celebrated museum curator and director, but he had many of the qualities of an artist--he was original, he was inspired, and he was famously late for appointments. He knew the best stories about artists, or at least about Marcel Duchamp, Joseph Cornell, Robert Rauschenberg and other members of the avant-garde with whom he worked closely. His memoir offers an unusually intimate glimpse at the post-war American art scene. For once, you didn't have to be there, because Hopps was there and tells all. -- Deborah Solomon, author of AMERICAN MIRRO: THE LIFE AND ART OF NORMAN ROCKWELL The Dream Colony immediately provides its reader with the exhilarating conviction that you are in the presence of both the craziest and most sane person you will ever be lucky enough to know. Walter Hopps's prodigious gifts as a storyteller are every bit the equal to the adventures that defined a singularly brilliant and deeply principled life in art. -- Ann Temkin, Chief Curator of Painting and Sculpture, Museum of Modern Art, New York Walter Hopps was one of the greatest talkers I've ever known, and he's at his quirky best in The Dream Colony--a superb evocation of the art world he knew and loved, and a joy to read. -- Calvin Tomkins, NEW YORKER staff writer and author of DUCHAMP: A BIOGRAPHY Walter Hopps, the marvelous mad maven of modern art in America, was one clean gleam of a man--never less than completely inspired and always witty in the extreme. Treisman and Doran have accomplished a small miracle, delivering his voice pitch-perfect to the page. Truly like capturing lightning in a bottle! -- Lawrence Weschler, author of WAVES PASSING IN THE NIGHT

Author Information

Walter Hopps (1932–2005) was a curator and museum director who worked at the Pasadena Art Museum, the Washington Gallery of Modern Art, the Corcoran Gallery of Art, the Smithsonian’s National Collection of Fine Arts, the Menil Collection, which he helped create, and the Solomon R. Guggenheim Museum. Deborah Treisman has been the fiction editor of the New Yorker since 2003, and was deputy fiction editor for six years before that. She hosts the award-winning New Yorker Fiction Podcast, and was the editor of the anthology 20 Under 40: Stories from The New Yorker. From 1994 to 1997 she was the managing editor of the art and literary quarterly Grand Street, for which Hopps was the art editor. Anne Doran has written for Art in America, Artforum, ARTnews, Atlantica, and Time Out New York. From 1996 to 2004 she was an editor at Grand Street. Her artwork has been shown in New York at Invisible-Exports and the New Museum of Contemporary Art, and in Europe at the Stedelijk Museum and the Centre Georges Pompidou, among other venues.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available