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OverviewThis book examines the emergence of documentary theatre in Ireland during the 2010s, linking this to a combination of political crises and societal changes in an increasingly experimental and adaptable Irish theatre landscape. The book observes a flourishing of the ‘documentary aesthetic’: a term referring to the appearance of reality, urgency and direct relevance to real-life events in theatrical productions, usually those derived from documentary sources. In this decade, Irish theatre makers have drawn upon the documentary aesthetic to link performances directly with pressing socio-political issues; their mixed application of documentary methods and other theatrical styles is a key focus of this study. Across its four chapters, the book offers a chronological examination of key productions that exemplify the proliferation of the documentary aesthetic in Irish theatre throughout the 2010s. It analyses productions and performance texts, and features practitioner interviews within its examination of this decade. A key theme in this study is the notion of authorship, particularly within performances that include verbatim accounts of real-life experiences. The book considers the emergence of documentary theatre-making, acknowledging both the persistence of the playwright-author and the widespread embrace of collaborative and devised practice in contemporary Irish theatre. This book speaks to scholars, students and artists with an interest in documentary theatre and Irish drama. Full Product DetailsAuthor: Luke LamontPublisher: Liverpool University Press Imprint: Liverpool University Press ISBN: 9781836244943ISBN 10: 1836244940 Pages: 224 Publication Date: 28 December 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Forthcoming Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsIntroduction 1. “Be there”: Place, Space and Movement in The Blue Boy and Laundry 2. Behind Closed Doors: Colin Murphy Docufictionalizing the Irish Financial Crisis (2008-2011) 3. “Am I doing the right thing here?”: Irish Documentary Theatre and the Performance of Stigma 4. “When all bets are off”: Auteur Theory and the Documentary Aesthetic in Pasolini’s Salò Redubbed ConclusionReviews'Lamont’s exploration of dramaturgical experiments in Irish theatre in the period 2010 to 2020 is rich and expansive, investigating forms such as documentary, verbatim, tribunal, or testimonial that are combined with conventional methods of playwriting and that blur the boundaries between these. This is a welcome contribution to scholarly research in theatre, performance, dramaturgy and Irish theatre.' Dr Marie Kelly, University College Cork Author InformationLuke Lamont is Associate Lecturer at Institute of Art, Design + Technology Dún Laoghaire. He has lectured and researched at theatre departments across Ireland and the UK and serves on the Executive Committee of the Irish Society for Theatre Research. Tab Content 6Author Website:Countries AvailableAll regions |
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