The Divine Comedy of Dante Alighieri: Volume 3: Paradiso

Awards:   Winner of Modern Language Association Aldo and Jeanne Scaglione Prize for for a Translation of a Literary Work 2011. Winner of Winner of the MLA'S Aldo and Jeanne Scaglione Prize for a Translation of a Literary Work.
Author:   Robert M. Durling (Professor Emeritus, Professor Emeritus, UC Santa Cruz) ,  Ronald L. Martinez (Professor, Professor, Brown University) ,  Dante Alighieri
Publisher:   Oxford University Press Inc
ISBN:  

9780195087468


Pages:   888
Publication Date:   12 December 2013
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Divine Comedy of Dante Alighieri: Volume 3: Paradiso


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Awards

  • Winner of Modern Language Association Aldo and Jeanne Scaglione Prize for for a Translation of a Literary Work 2011.
  • Winner of Winner of the MLA'S Aldo and Jeanne Scaglione Prize for a Translation of a Literary Work.

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Full Product Details

Author:   Robert M. Durling (Professor Emeritus, Professor Emeritus, UC Santa Cruz) ,  Ronald L. Martinez (Professor, Professor, Brown University) ,  Dante Alighieri
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.50cm , Height: 6.40cm , Length: 23.40cm
Weight:   1.270kg
ISBN:  

9780195087468


ISBN 10:   0195087461
Pages:   888
Publication Date:   12 December 2013
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking. --David Young, translator of The Poetry of Petrarch Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term. --Michael Wyatt, author of The Italian Encounter with Tudor England At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment. --Richard Lansing, editor of The Dante Encyclopedia


Praise for Durling's Inferno and Purgatorio 'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.'-The Christian Science Monitor 'A useful volume for students and first-time visitors to Dante's cosmos.'-Publishers Weekly 'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.'-Library Journal 'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.'-Robert Harrison, Professor of Italian, Stanford University As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking. --David Young, translator of The Poetry of Petrarch Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes, ' bibliography, and indices will more than satisfy the most exigent critic. M


'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.' -The Christian Science Monitor'A useful volume for students and first-time visitors to Dante's cosmos.'- Publishers Weekly'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.' -Library Journal'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.' -Robert Harrison, Professor of Italian, Stanford University As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking. --David Young, translator of The Poetry of Petrarch Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes, ' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the ri


As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking. --David Young, translator of The Poetry of Petrarch Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes, ' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term. --Michael Wyatt, author of The Italian Encounter with Tudor England At the end of his poem Dante claims that his 'high imagining failed of power, ' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment. --Richard Lansing, editor of The Dante Encyclopedia


As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking. David Young, translator of The Poetry of Petrarch Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term. Michael Wyatt, author of The Italian Encounter with Tudor England At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment. Richard Lansing, editor of The Dante Encyclopedia


<br>Praise for Durling's Inferno and Purgatorio <br>'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.'-The Christian Science Monitor <br><p><br>'A useful volume for students and first-time visitors to Dante's cosmos.'-Publishers Weekly <br><p><br>'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.'-Library Journal <br><p><br>'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.'-Robert Harrison, Professor of Italian, Stanford University <br><p><br> As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking. --David Young, translator of The Poetry of Petrarch<p><br> Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes, ' bibliography, and indices will more than satisfy the most exigent critic. M


Author Information

Robert M. Durling is Professor Emeritus of English and Italian Literature at the University of California, Santa Cruz. Ronald L. Martinez is Professor of Italian at Brown University. Their works together include Dante's Inferno and Purgatorio and Time and the Crystal: Studies in Dante's ""Rime petrose."" Robert Turner has been a professional illustrator for thirty years.

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