The Divine Comedy. Inferno: Translation H. F.Cary

Author:   Dante Alighieri ,  Rev Henry Francis Cary
Publisher:   Createspace
ISBN:  

9781497469259


Pages:   148
Publication Date:   12 March 2014
Format:   Paperback
Availability:   Available To Order   Availability explained
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The Divine Comedy. Inferno: Translation H. F.Cary


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NEW EDITION 2014 in English of 'Inferno' ('Divine Comedy', Book I) by the Italian poet of the Middle Ages, Dante Alighieri. Inferno is here presented in the classic translation into English by Rev. H. F. Cary.

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Author:   Dante Alighieri ,  Rev Henry Francis Cary
Publisher:   Createspace
Imprint:   Createspace
Dimensions:   Width: 15.20cm , Height: 0.90cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9781497469259


ISBN 10:   1497469252
Pages:   148
Publication Date:   12 March 2014
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Dante's Divine Comedy, a great work of medieval literature, is a profound Christian vision of man's temporal and eternal destiny. On its most personal level, it draws on the poet's own experience of exile from his native city of Florence; on its most comprehensive level, it may be read as an allegory, taking the form of a journey through hell, purgatory, and paradise. The poem amazes by its array of learning, its penetrating and comprehensive analysis of contemporary problems, and its inventiveness of language and imagery. By choosing to write his poem in Italian rather than in Latin, Dante decisively influenced the course of literary development. Not only did he lend a voice to the emerging lay culture of his own country, but Italian became the literary language in western Europe for several centuries. In addition to poetry Dante wrote important theoretical works ranging from discussions of rhetoric to moral philosophy and political thought. He was fully conversant with the classical tradition, drawing for his own purposes on such writers as Virgil, Cicero, and Boethius. But, most unusual for a layman, he also had an impressive command of the most recent scholastic philosophy and of theology. His learning and his personal involvement in the heated political controversies of his age led him to the composition of De monarchia, one of the major tracts of medieval political philosophy.

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