The Devil's Horn

Author:   Michael Segell
Publisher:   Picador USA
ISBN:  

9780312425579


Pages:   336
Publication Date:   22 August 2006
Format:   Paperback
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Our Price $39.59 Quantity:  
Add to Cart

Share |

The Devil's Horn


Overview

Full Product Details

Author:   Michael Segell
Publisher:   Picador USA
Imprint:   Picador USA
Dimensions:   Width: 14.00cm , Height: 2.80cm , Length: 21.00cm
Weight:   0.318kg
ISBN:  

9780312425579


ISBN 10:   0312425570
Pages:   336
Publication Date:   22 August 2006
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Reviews

Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. -- The New York Times Book Review <br> [A] historical and deeply personal tribute to the saxophone . . . [ The Devil's Horn ] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. -- Baltimore Sun <br> Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. -- The Roanoke Times <br> An excellent short course on the saxophone in jazz . . . [A] beguiling story. -- Chicago Sun-Times <br> [Segell is] adept at spreading the contagion of his own curiosities. -- The News & Observer


Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. -- The New York Times Book Review <br> <br> [A] historical and deeply personal tribute to the saxophone . . . [ The Devil's Horn ] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. -- Baltimore Sun <br> <br> Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. -- The Roanoke Times <br> <br> An excellent short course on the saxophone in jazz . . . [A] beguiling story. -- Chicago Sun-Times <br> <br> [Segell is] adept at spreading the contagion of his own curiosities. -- The News & Observer


Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. --The New York Times Book Review [A] historical and deeply personal tribute to the saxophone . . . [The Devil's Horn] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. --Baltimore Sun Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. --The Roanoke Times An excellent short course on the saxophone in jazz . . . [A] beguiling story. --Chicago Sun-Times [Segell is] adept at spreading the contagion of his own curiosities. --The News & Observer Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. The New York Times Book Review [A] historical and deeply personal tribute to the saxophone . . . [The Devil's Horn] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. Baltimore Sun Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. The Roanoke Times An excellent short course on the saxophone in jazz . . . [A] beguiling story. Chicago Sun-Times [Segell is] adept at spreading the contagion of his own curiosities. The News & Observer Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. The New York Times Book Review [A] historical and deeply personal tribute to the saxophone . . . [ The Devil's Horn ] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. Baltimore Sun Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. The Roanoke Times An excellent short course on the saxophone in jazz . . . [A] beguiling story. Chicago Sun-Times [Segell is] adept at spreading the contagion of his own curiosities. The News & Observer Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. -- The New York Times Book Review [A] historical and deeply personal tribute to the saxophone . . . [ The Devil's Horn ] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. -- Baltimore Sun Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. -- The Roanoke Times An excellent short course on the saxophone in jazz . . . [A] beguiling story. -- Chicago Sun-Times [Segell is] adept at spreading the contagion of his own curiosities. -- The News & Observer What a splendid tribute Michael Segell has written to that time-bending musical continuum that still holds so many in its thrall. -- San Francisco Chronicle Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . A freewheeling tribute . . . [with] exuberance that is everywhere to be found. -- The New York Times Book Review [A] historical and deeply personal tribute . . . [ The Devil's Horn ] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. -- The Baltimore Sun


Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . .&nbsp;[A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. -- The New York Times Book Review <br>&nbsp;<br> [A] historical and deeply personal tribute to the saxophone . . . [ The Devil's Horn ] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. -- Baltimore Sun <br>&nbsp;<br> Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever&nbsp;change your attitude toward the sax. -- The Roanoke Times <br>&nbsp;<br> An excellent short course on the saxophone in jazz . . . [A] beguiling story. -- Chicago Sun-Times <br>&nbsp;<br> [Seg


Author Information

Michael Segell is an amateur percussionist and saxophone player and a professional music lover. He is the author of Standup Guy, and his writing has appeared in numerous publications, including The New York Times, Rolling Stone, Sports Illustrated, and Esquire, where he wrote the popular column ""The Male Mind."" He has received two National Magazine Award nominations for his work. He lives with his wife and children in New York City and Long Eddy, New York.

Tab Content 6

Author Website:  

Countries Available

All regions
Latest Reading Guide

NOV RG 20252

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List