Overview

"A New York Times Notable Book, winner of the Jerwood Award from the Royal Society of Literature, a New York Times Book Review Editors' Choice, and named a Book of the Year by the Telegraph, Spectator, Observer, and BBC History Magazine, this bold new history of the rise of Christianity shows how its radical followers helped to annihilate Greek and Roman civilizations. The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to ""one true faith."" Despite the long-held notion that the early Christians were meek and mild, going to their martyrs' deaths singing hymns of love and praise, the truth, as Catherine Nixey reveals, is very different. Far from being meek and mild, they were violent, ruthless, and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth, and the light but that, by extension, every single other way was wrong and had to be destroyed. From the first century to the sixth, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial, and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces, and their priests killed. It was an annihilation. Authoritative, vividly written, and utterly compelling, this is a remarkable debut from a brilliant young historian."

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9781328589286

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A New York Times Notable Book A New York Times Book Review Editors' Choice Winner of the Royal Society of Literature's Jerwood Award for Nonfiction Named a Book of the Year by the Telegraph, the Spectator, the Observer, and BBC History Magazine Named a Times Writers' Book of the Year Nixey paints with a wide brush . . . A fine history that is surely controversial in its view of how victims become victimizers and how professions of love turn to terror. --Kirkus Reviews Nixey clearly but untendentiously summarizes phenomena that led up to the elimination of classical polytheism. --Booklist Captivating and compelling, The Darkening Age challenges our whole understanding of Christianity's earliest years and the medieval society that followed. A remarkable fusion of riveting narrative and acute scholarly judgment, this book marks the debut of a formidable classicist and historian. --Dan Jones, best-selling author of The Plantagenets and The Templars Catherine Nixey has written a bold, dazzling and provocative book that challenges ideas about early Christianity and both how--and why--it spread so far and fast in its early days. Nixey is a witty and iconoclastic guide to a world that will be unfamiliar, surprising and troubling to many. --Peter Frankopan, best-selling author of The Silk Roads Engaging and erudite, Catherine Nixey's book offers both a compelling argument and a wonderful eye for vivid detail. It shines a searching spotlight onto some of the murkiest aspects of the early medieval mindset. A triumph. --Edith Hall, author of Introducing the Ancient Greeks A devastating book, written in vivid yet playful prose. Catherine Nixey reveals a level of intolerance and anti-intellectualism which echoes today's headlines but is centuries old. --Anita Anand, author of Sophia and coauthor (with William Dalrymple) of Koh-i-Noor Nixey's elegant and ferocious text paints a dark but riveting picture of life at the time of the 'triumph' of Christianity, reminding us not just of the realities of our own past, but also of the sad echoes of that past in our present. --Michael Scott, author of Ancient Worlds [An] impassioned account... Nixey acutely and thunderously reminds us that many used the Christian project as an excuse to destroy rather than to love. --BBC History Magazine, Books of the Year A book for the twenty-first century . . . Nixey has a great story to tell, and she tells it exceptionally well. As one would expect from a distinguished journalist, every page is full of well-turned phrases that leap from the page. She has an expert eye for arresting details, and brings characters and scenarios to life without disguising anything of the strangeness of the world she describes. Most of all, she navigates through these tricky waters with courage and skill . . . A finely crafted, invigorating polemic against the resilient popular myth that presents the Christianisation of Rome as the triumph of a kinder, gentler politics . . . [The Darkening Age] succeeds brilliantly. --Tim Whitmarsh, Guardian A vigorous account . . . Nixey paints with a wide brush, but her point is well taken . . . A fine history that is surely controversial in its view of how victims become victimizers and how professions of love turn to terror. --Kirkus Reviews The Darkening Age by Catherine Nixey looks at the rise of Christianity, showing how its early radical followers ravaged vast swaths of classical culture, sending the West into an era of dogma and intellectual decline. --Publishers Weekly, Spring 2018 Announcements: History [A] vivid and important new book . . . Nixey is a funny, lively, readable guide through this dark world of religious oppression . . . The book is also an essential reminder, in the age of Brexit and Donald Trump, that intolerance, ignorance and hostility to cultural diversity are sadly nothing new. --New Statesman Exceptionally well written . . . [A] clever, compelling book. --Thomas W. Hodgkinson, Spectator Sardonic, well informed and quite properly lacking in sympathy for its hapless target . . . The Darkening Age rattles along at a tremendous pace, and Nixey brilliantly evokes all that was lost with the waning of the classical world. --Peter Thonemann, Sunday Times (UK) Nixey has done an impressive job of illuminating an important aspect of late-antique Christianity. --Levi Roach, Literary Review A delightful book about destruction and despair. Nixey combines the authority of a serious academic with the expressive style of a good journalist. She's not afraid to throw in the odd joke amid sombre tales of desecration. With considerable courage, she challenges the wisdom of history and manages to prevail. Comfortable assumptions about Christian progress come tumbling down. --Gerard de Groot, The Times (UK)

Winner of the Royal Society of Literature's Jerwood Award for Nonfiction Named a Book of the Year by the Telegraph, the Spectator, the Observer, and BBC History Magazine Named a Times Writers' Book of the Year Nixey paints with a wide brush . . . A fine history that is surely controversial in its view of how victims become victimizers and how professions of love turn to terror. --Kirkus Reviews Nixey clearly but untendentiously summarizes phenomena that led up to the elimination of classical polytheism. --Booklist Captivating and compelling, The Darkening Age challenges our whole understanding of Christianity's earliest years and the medieval society that followed. A remarkable fusion of riveting narrative and acute scholarly judgment, this book marks the debut of a formidable classicist and historian. --Dan Jones, best-selling author of The Plantagenets and The Templars Catherine Nixey has written a bold, dazzling and provocative book that challenges ideas about early Christianity and both how--and why--it spread so far and fast in its early days. Nixey is a witty and iconoclastic guide to a world that will be unfamiliar, surprising and troubling to many. --Peter Frankopan, best-selling author of The Silk Roads Engaging and erudite, Catherine Nixey's book offers both a compelling argument and a wonderful eye for vivid detail. It shines a searching spotlight onto some of the murkiest aspects of the early medieval mindset. A triumph. --Edith Hall, author of Introducing the Ancient Greeks A devastating book, written in vivid yet playful prose. Catherine Nixey reveals a level of intolerance and anti-intellectualism which echoes today's headlines but is centuries old. --Anita Anand, author of Sophia and coauthor (with William Dalrymple) of Koh-i-Noor Nixey's elegant and ferocious text paints a dark but riveting picture of life at the time of the 'triumph' of Christianity, reminding us not just of the realities of our own past, but also of the sad echoes of that past in our present. --Michael Scott, author of Ancient Worlds [An] impassioned account... Nixey acutely and thunderously reminds us that many used the Christian project as an excuse to destroy rather than to love. --BBC History Magazine, Books of the Year A book for the twenty-first century . . . Nixey has a great story to tell, and she tells it exceptionally well. As one would expect from a distinguished journalist, every page is full of well-turned phrases that leap from the page. She has an expert eye for arresting details, and brings characters and scenarios to life without disguising anything of the strangeness of the world she describes. Most of all, she navigates through these tricky waters with courage and skill . . . A finely crafted, invigorating polemic against the resilient popular myth that presents the Christianisation of Rome as the triumph of a kinder, gentler politics . . . [The Darkening Age] succeeds brilliantly. --Tim Whitmarsh, Guardian A vigorous account . . . Nixey paints with a wide brush, but her point is well taken . . . A fine history that is surely controversial in its view of how victims become victimizers and how professions of love turn to terror. --Kirkus Reviews The Darkening Age by Catherine Nixey looks at the rise of Christianity, showing how its early radical followers ravaged vast swaths of classical culture, sending the West into an era of dogma and intellectual decline. --Publishers Weekly, Spring 2018 Announcements: History [A] vivid and important new book . . . Nixey is a funny, lively, readable guide through this dark world of religious oppression . . . The book is also an essential reminder, in the age of Brexit and Donald Trump, that intolerance, ignorance and hostility to cultural diversity are sadly nothing new. --New Statesman Exceptionally well written . . . [A] clever, compelling book. --Thomas W. Hodgkinson, Spectator Sardonic, well informed and quite properly lacking in sympathy for its hapless target . . . The Darkening Age rattles along at a tremendous pace, and Nixey brilliantly evokes all that was lost with the waning of the classical world. --Peter Thonemann, Sunday Times (UK) Nixey has done an impressive job of illuminating an important aspect of late-antique Christianity. --Levi Roach, Literary Review A delightful book about destruction and despair. Nixey combines the authority of a serious academic with the expressive style of a good journalist. She's not afraid to throw in the odd joke amid sombre tales of desecration. With considerable courage, she challenges the wisdom of history and manages to prevail. Comfortable assumptions about Christian progress come tumbling down. --Gerard de Groot, The Times (UK)

A New York Times Notable Book, 2018 A New York Times Book Review Editors' Choice Named a Book of the Year by the Telegraph, the Spectator, the Observer, and BBC History Magazine Winner of the Royal Society of Literature Jerwood Award for Nonfiction A searingly passionate book... Nixey writes up a storm. Each sentence is rich, textured, evocative, felt.... Nixey delivers this ballista-bolt of a book with her eyes wide open and in an attempt to bring light as well as heat to the sad story of intellectual monoculture and religious intolerance. --New York Times Book Review Nixey paints with a wide brush...a fine history that is surely controversial in its view of how victims become victimizers and how professions of love turn to terror. --Kirkus Reviews Nixey clearly but untendentiously summarizes phenomena that led up to the elimination of classical polytheism. --Booklist Captivating and compelling, The Darkening Age challenges our whole understanding of Christianity's earliest years and the medieval society that followed. A remarkable fusion of riveting narrative and acute scholarly judgment, this book marks the debut of a formidable classicist and historian. --Dan Jones, best-selling author of The Plantagenets and The Templars Catherine Nixey has written a bold, dazzling and provocative book that challenges ideas about early Christianity and both how - and why - it spread so far and fast in its early days. Nixey is a witty and iconoclastic guide to a world that will be unfamiliar, surprising and troubling to many. --Peter Frankopan, best-selling author of The Silk Roads Engaging and erudite, Catherine Nixey's book offers both a compelling argument and a wonderful eye for vivid detail. It shines a searching spotlight onto some of the murkiest aspects of the early medieval mindset. A triumph. --Edith Hall, author of Introducing the Ancient Greeks A devastating book, written in vivid yet playful prose. Catherine Nixey reveals a level of intolerance and anti-intellectualism which echoes today's headlines but is centuries old. --Anita Anand, author of Sophia and coauthor (with William Dalrymple) of Koh-i-Noor Nixey's elegant and ferocious text paints a dark but riveting picture of life at the time of the 'triumph' of Christianity, reminding us not just of the realities of our own past, but also of the sad echoes of that past in our present. --Michael Scott, author of Ancient Worlds [An] impassioned account... Nixey acutely and thunderously reminds us that many used the Christian project as an excuse to destroy rather than to love. --BBC History Magazine, Books of the Year A book for the 21st century...Nixey has a great story to tell, and she tells it exceptionally well. As one would expect from a distinguished journalist, every page is full of well-turned phrases that leap from the page. She has an expert eye for arresting details, and brings characters and scenarios to life without disguising anything of the strangeness of the world she describes. Most of all, she navigates through these tricky waters with courage and skill...A finely crafted, invigorating polemic

Author Information

CATHERINE NIXEY studied classics at Cambridge and taught the subject for several years before becoming a journalist on the arts desk at the Times (UK), where she still works.

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