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Les Simulachres & Historiees Faces de la Mort avtant elegamtment pourtraictes, que artificiellement imaginees. This may be Englished as follows: The Images and Storied Aspects of Death, as elegantly delineated as [they are] ingeniously imagined. Such is the literal title of the earliest edition of the famous book now familiarly known as Holbein's Dance of Death. It is a small quarto, bearing on its title-page, below the French words above quoted, a nondescript emblem with the legend Vsus me Genuit, and on an open book, Gnothe seauton. Below this comes again, A Lyon, Soubz l'escu de Coloigne: M. D. XXXVIII, while at the end of the volume is the imprint Excvdebant Lvgdvni Melchoir et Gaspar Trechsel fratres: 1538 - the Trechsels being printers of German origin, who had long been established at Lyons. There is a verbose Epistre or Preface in French to the moult reuerende Abbesse du religieux conuent S. Pierre de Lyon, Madame Iehanne de Touszele, otherwise the Abbess of Saint Pierre les Nonnains, a religious house containing many noble and wealthy ladies, and the words, Salut d'un vray Zele, which conclude the dedicatory heading, are supposed to reveal indirectly the author of the Epistre itself, namely, Jean de Vauzelles, Pastor of St. Romain and Prior of Monrottier, one of three famous literary brothers in the city on the Rhone, whose motto was D'un vray Zelle. After the Preface comes Diuerses Tables de Mort, non painctes, mais extraictes de l'escripture saincte, colorees par Docteurs Ecclesiastiques, & umbragees par Philosophes. Then follow the cuts, forty-one in number, each having its text from the Latin Bible above it, and below, its quatrain in French, this latter being understood to be from the pen of one Gilles Corozet. To the cuts succeed various makeweight Appendices of a didactic and hortatory character, the whole being wound up by a profitable discourse, De la Necessite de la Mort qui ne laisse riens estre pardurable. Various editions ensued to this first one of 1538, the next or second of 1542 (in which Corozet's verses were translated into Latin by Luther's brother-in-law, George Oemmel or Aemilius), being put forth by Jean and Francois Frellon, into whose hands the establishment of the Trechsels had fallen. There were subsequent issues in 1545, 1547, 1549, 1554, and 1562. To the issues of 1545 and 1562 a few supplementary designs were added, some of which have no special bearing upon the general theme, although attempts, more or less ingenious, have been made to connect them with the text. After 1562 no addition was made to the plates.

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