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OverviewThe first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculptures for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself—the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text. Full Product DetailsAuthor: Michele D. Marincola , Lucretia KargerePublisher: Getty Trust Publications Imprint: Getty Publications Dimensions: Width: 21.60cm , Height: 1.50cm , Length: 26.00cm Weight: 0.666kg ISBN: 9781606066553ISBN 10: 1606066552 Pages: 296 Publication Date: 18 August 2020 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsA comprehensive, profound survey of various important aspects of sculpture preservation, including materials, carving and painting techniques, methods of examination, documentation, conservation, and restoration. Abundant illustrations feature many remarkable objects in American collections. The book concludes with several informative case studies. An absolute must-have. --Michael Rief, conservator, head of collections and deputy director of the Suermondt-Ludwig-Museum Aachen Impressively researched, elegantly written by two experts in the field, and accessible to a wide audience, this book on European medieval and Renaissance polychrome wood sculpture makes an important methodological contribution to art history and studies of materiality. It brings together the history of technical analysis, conservation, and maintenance with an overview of materials and techniques, display, and rituals of use to convincingly demonstrate how the present appearance of a wooden sculpture cannot be divorced from its history over time. Alongside Taubert's Farbige Skulpturen (1978), this will become a classic study of polychrome wooden sculpture. --Christina Neilson, Associate Professor of Renaissance and Baroque Art History, Oberlin College Drawing from decades working with medieval polychrome sculpture at The Cloisters, one of the world's foremost collections, Michele Marincola and Lucretia Kargere map out the physical structure of these objects, describe how their appearance has changed over time, and review treatment options available to conservators. In a remarkably frank tone, they elucidate the ethical underpinnings of the myriad choices made during a restoration. A compendium of knowledge and wisdom, this book will for decades be the reference work for those responsible for the care of these magnificent works of art. It is also a must-read for anyone else interested in these sculptures and their history. --Prof. Julien Chapuis, Deputy Director, Gemaldegalerie, Skulpturensammlung und Museum fur Byzantinische Kunst, Staatliche Museen zu Berlin Author InformationMichele D. Marincola is Sherman Fairchild Chairman and Professor of Conservation, Conservation Center, Institute of Fine Arts, New York University. She has published widely in professional journals and is the editor of 'Polychrome Sculpture: Meaning, Form, Conservation' (Getty Publications, 2015). Lucretia Kargere is senior conservator for The Cloisters, Metropolitan Museum of Art, New York. She has published widely in professional journals. Tab Content 6Author Website:Countries AvailableAll regions |