Overview

Henry James's experience of drama began in the New York theatres of his 1850s childhood; in Europe he became familiar with the London theatre and the Théâtre-Français in Paris. He went on to experiment continuously with the 'scenic art' in his fiction, and to write plays himself. This complete collection of James's essays and reviews on drama discusses a range of theatre, including productions of Shakespeare, Tennyson, 'well-made' French plays and early performances of Ibsen. In addition, he characterises some of the great performers of the day, including Irving, Terry, Kemble, Ristori, Coquelin and Salvini. Readers will find James's texts as they first appeared, with a wealth of editorial support, which evokes the colourful world of late Victorian theatre. Many of the items included have not previously been available in a scholarly edition. The editorial apparatus includes a general introduction, a chronology, a textual variants section, and a biographical guide to actors.

Full Product Details

9781316505694

Table of Contents

Reviews

'Collister's thoughtful and thorough editions bring that intelligence back into focus, and remind us again that James' fiction is grounded in a deep understanding of human culture in all its forms.' Hazel Hutchison, Modern Language Review

Author Information

Peter Collister is the author of Writing the Self: Henry James and America (2007), and the editor of Henry James's A Small Boy and Others (2011) and Notes of a Son and Brother and The Middle Years (2011). He has published a wide range of essays on nineteenth-century English writers and Anglo-French literary links in refereed British, European and American journals.

Tab Content 6

Countries Available