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OverviewFull Product DetailsAuthor: C. Jean Campbell (Emory University, Associate Professor of Art History)Publisher: Pennsylvania State University Press Imprint: Pennsylvania State University Press Dimensions: Width: 23.50cm , Height: 1.90cm , Length: 25.40cm Weight: 1.134kg ISBN: 9780271032610ISBN 10: 0271032618 Pages: 188 Publication Date: 01 October 2008 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsContents List of Illustrations Preface and Acknowledgments Introduction: The Poetry of 1. Brunetto's Treasure and Its Revelation in Script and Pictures The Invention of Secrets The Sharing of Secrets in Strozzi 2. Municipal Verse, Vernacular Poetry, and Simone Martini's Maesta Brunetto's Failure and Dante's Goal Simone's Maesta and the Advent of Nature's Commonwealth 3. Ambrogio Lorenzetti and the Poetry of Peace Conclusion: New Clothes and the Rebirth of the Commonwealth Notes Bibliography IndexReviewsThe Commonwealth of Nature reasserts the creative and poetic energy of the Palazzo Pubblico frescos, too often overlooked in a scholarship focused on patronage and the political meaning of images. -Fabrizio Nevola, Burlington Magazine C. Jean Campbell's The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author's deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d'Arezzo, and Folgore di San Gimignano. -Catherine Harding, Renaissance Quarterly C. Jean Campbell's The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author's deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d'Arezzo, and Folgore di San Gimignano. --Catherine Harding, Renaissance Quarterly C. Jean Campbell s The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author s deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d Arezzo, and Folgore di San Gimignano. Catherine Harding, Renaissance Quarterly The Commonwealth of Nature reasserts the creative and poetic energy of the Palazzo Pubblico frescos, too often overlooked in a scholarship focused on patronage and the political meaning of images. --Fabrizio Nevola, Burlington Magazine C. Jean Campbell's The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author's deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d'Arezzo, and Folgore di San Gimignano. --Catherine Harding, Renaissance Quarterly The Commonwealth of Nature reasserts the creative and poetic energy of the Palazzo Pubblico frescos, too often overlooked in a scholarship focused on patronage and the political meaning of images. Fabrizio Nevola, Burlington Magazine C. Jean Campbell s The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author s deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d Arezzo, and Folgore di San Gimignano. Catherine Harding, Renaissance Quarterly C. Jean Campbell s The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author s deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d Arezzo, and Folgore di San Gimignano. Catherine Harding, Renaissance Quarterly C. Jean Campbell's The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author's deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d'Arezzo, and Folgore di San Gimignano. --Catherine Harding, Renaissance Quarterly <em>The Commonwealth of Nature </em>reasserts the creative and poetic energy of the Palazzo Pubblico frescos, too often overlooked in a scholarship focused on patronage and the political meaning of images. </p> Fabrizio Nevola, <em>Burlington Magazine</em></p> C. Jean Campbell s The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author s deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d Arezzo, and Folgore di San Gimignano. Catherine Harding, Renaissance Quarterly C. Jean Campbell's The Commonwealth of Nature: Art and Poetic Community in the Age of Dante is an important and intriguing treatment of Tuscan artistic culture in light of contemporary poetic theory, demonstrating the author's deep understanding not only of Dante and Brunetto Latini, but of writers such as Boccaccio, Guido Cavalcanti, Guido Guinizelli, Guittone d'Arezzo, and Folgore di San Gimignano. --Catherine Harding, Renaissance Quarterly The Commonwealth of Nature reasserts the creative and poetic energy of the Palazzo Pubblico frescos, too often overlooked in a scholarship focused on patronage and the political meaning of images. --Fabrizio Nevola, Burlington Magazine Author InformationC. Jean Campbell is Associate Professor of Art History at Emory University. She is the author of The Game of Courting and the Art of the Commune of San Gimignano, 1290-1320 (1997). Tab Content 6Author Website:Countries AvailableAll regions |