Overview
No longer able to read community in terms colored by a romantic nostalgia for homogeneity, closeness and sameness, or the myth of rational choice, we nevertheless face an imperative to think the common. The prominent scholars assembled here come together to articulate community while thinking seriously about the tropes, myths, narratives, metaphors, conceits, and shared cultural texts on which any such articulation depends. The result is a major contribution to literary theory, postcolonialism, philosophy, political theory, and sociology.
Full Product Details
Author: Thomas Claviez ,
Jean-Luc Nancy
Publisher: Fordham University Press
Imprint: Fordham University Press
Dimensions:
Width: 15.20cm
, Height: 1.80cm
, Length: 22.90cm
Weight: 0.431kg
ISBN: 9780823270910
ISBN 10: 0823270912
Pages: 216
Publication Date: 01 July 2016
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
Revolt does not discourse, it growls. What does 'growl' mean? It's almost an onomatopoeia. It means to bawl, bellow, and roar. It means to shout together, to murmur, mumble, grouse, become indignant, protest, become enraged together. One tends to grumble alone but people growl in common. The common growl is a subterranean torrent: it passes underneath, making everything tremble. --from Jean-Luc Nancy's Foreword
""Revolt does not discourse, it growls. What does 'growl' mean? It's almost an onomatopoeia. It means to bawl, bellow, and roar. It means to shout together, to murmur, mumble, grouse, become indignant, protest, become enraged together. One tends to grumble alone but people growl in common. The common growl is a subterranean torrent: it passes underneath, making everything tremble.""--from Jean-Luc Nancy's Foreword
Author Information
Thomas Claviez is Professor for Literary Theory at the University of Bern, where he is responsible for the MA program in World Literature. He is the author of Grenz fälle: Mythos- Ideologie- American Studies (1998) and Aesthetics and Ethics: Otherness and Moral Imagination from Aristotle to Levinas and from Uncle Tom’s Cabin to House Made of Dawn (2008) and the coauthor, with Dietmar Wetzel, of Zur Aktualität von Jacques Rancière (2016). He has published widely on issues of community, recognition, literary theory, and moral philosophy. He is the editor of The Conditions of Hospitality: Ethics, Politics, and Aesthetics on the Threshold of the Possible (2013) and of The Common Growl: Towards a Poetics of Precarious Community (2016) and the coeditor of Aesthetic Transgressions: Modernity, Liberalism, and the Function of Literature (2006) and of Critique of Authenticity (2019). He is currently working on a monograph with the title A Metonymic Community? Towards a New Poetics of Contingency. Jean-Luc Nancy (1940–2021) was Distinguished Professor of Philosophy at the Université de Strasbourg and one of the late twentieth and early twenty-first century’s foremost thinkers of politics, art, and the body. His wide-ranging thought runs through many books, including Being Singular Plural, The Ground of the Image, Corpus, The Disavowed Community, and Sexistence. His book The Intruder was adapted into an acclaimed film by Claire Denis.
