The Commercial and Cultural Climate of Japanese Printmaking

Author:   Amy Reigle Newland
Publisher:   Brill
Volume:   2
ISBN:  

9789074822497


Pages:   272
Publication Date:   01 January 2004
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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The Commercial and Cultural Climate of Japanese Printmaking


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Author:   Amy Reigle Newland
Publisher:   Brill
Imprint:   Hotei Publishing,The Netherlands
Volume:   2
Dimensions:   Width: 17.50cm , Height: 2.50cm , Length: 25.20cm
Weight:   0.789kg
ISBN:  

9789074822497


ISBN 10:   9074822495
Pages:   272
Publication Date:   01 January 2004
Audience:   General/trade ,  Professional and scholarly ,  College/higher education ,  General ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Amy Reigle Newland has worked as a specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries. In either and editorial and/or authorial role, her publications include Japanese Erotic Fantasies: Sexual Imagery of the Edo Period (2005), Printed to Perfection: Twentieth-century Japanese Prints from the Robert O. Muller Collection (2004), A Courtesan's Day: Hour by Hour (2004), The Commercial and Cultural Climate of Japanese Printmaking (2004), Kawase Hasui: The Complete Woodblock Prints (2003), Crows, Cranes & Camellias: The Natural World of Ohara Koson 1877-1945 (2001), Time Present and Time Past: Images of a Forgotten Master - Toyohara Kunichika 1835-1900 (1999), Heroes & Ghosts: Japanese Prints by Utagawa Kuniyoshi 1797-1861 (1998), and The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller Collection (1993). The Hotei Encyclopedia of Japanese Woodblock Prints (2005) is her most ambitious project to date, one which was coordinated from her home in rural New Zealand where she lives with her husband, son and flock of sheep.

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