Overview

""At the age of twenty-three, Ayesha removed her face veil to begin her studies in New York City. Braiding together Western, South Asian and Qur’anic storytelling styles, the author illuminates what it means to exist in a world that demands something different from each of her identities. With lyrical prose and scholarly precision, she weaves her personal experiences with incisive social commentary to uncover the meaning of faith and belonging, love and betrayal, family and womanhood. In so doing, she offers us a vision of freedom that isn’t measured in fabric.""

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9781786079251

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Reviews

The Colour of God meditates on the ways--illuminates the ways--identity, nation, religion, gender, and family are constituted and troubled. I love and admire this book for many reasons: the deep, rigorous, intersectional thinking; its cyclical mode of storytelling, which is itself a mode of inquiry; it's heartbreaking and, at times, really funny; the profoundly generous heart behind the questions this book asks. But perhaps most moving to me is how The Colour of God offers us a sustained exploration of home and belief and the tendrils between the two-and reveals, again and again, how these ideas are always contested and contesting. The Colour of God is a beautiful and necessary book that remarkably, wonderfully, makes our world larger and smaller at once. -- Ross Gay, bestselling author of The Book of Delights

'This book is a feminist academic rant, and a thoroughly enjoyable one. Chaudhry is both profound, incredibly funny and with very little inhibition... The author's strength is to bring the profound into the mundane. A very alluring read.' * Muslim News * 'The kind of authentic voice that is rarely heard nowadays. Her experiences of family and the patriarchal interpretations of Islam, pushed upon women of South Asian heritage, resonated with me on so many levels.' * Saima Mir, author of The Khan * 'The Colour of God meditates on the ways--illuminates the ways--identity, nation, religion, gender, and family are constituted and troubled. It's heartbreaking and, at times, really funny; the profoundly generous heart behind the questions this book asks.' -- Ross Gay, bestselling author of The Book of Delights 'The Colour of God is an engrossing read, not because it tells the story of one woman's journey from subjugation within a puritanical sect of Islam to finding 'liberation' by taking off her veil, but because it refuses and interrogates these facile labels. Chaudhry is brilliant at dissecting how fundamentalism took root in her family, and she's equally good at holding up a mirror to the culture that tends to dehumanise those who don't conform to its norms.' * Monica Ali, author of Brick Lane and Refugee Tales *

'The kind of authentic voice that is rarely heard nowadays. Her experiences of family and the patriarchal interpretations of Islam, pushed upon women of South Asian heritage, resonated with me on so many levels.' * Saima Mir, author of The Khan * 'The Colour of God meditates on the ways--illuminates the ways--identity, nation, religion, gender, and family are constituted and troubled. It's heartbreaking and, at times, really funny; the profoundly generous heart behind the questions this book asks.' -- Ross Gay, bestselling author of The Book of Delights 'The Colour of God is an engrossing read, not because it tells the story of one woman's journey from subjugation within a puritanical sect of Islam to finding 'liberation' by taking off her veil, but because it refuses and interrogates these facile labels. Chaudhry is brilliant at dissecting how fundamentalism took root in her family, and she's equally good at holding up a mirror to the culture that tends to dehumanise those who don't conform to its norms.' * Monica Ali, author of Brick Lane and Refugee Tales *

'The Colour of God is an engrossing read, not because it tells the story of one woman's journey from subjugation within a puritanical sect of Islam to finding 'liberation' by taking off her veil, but because it refuses and interrogates these facile labels. Chaudhry is brilliant at dissecting how fundamentalism took root in her family, and she's equally good at holding up a mirror to the culture that tends to dehumanise those who don't conform to its norms.' * Monica Ali, author of Brick Lane * 'This book fell into my heart, bringing real life, real love, pain and grief... Chaudhry writes beautifully.' -- Sabrina Mahfouz 'The Colour of God offers us a sustained exploration of home and belief and the tendrils between the two...a beautiful and necessary book that remarkably, wonderfully, makes our world larger and smaller at once.' -- Ross Gay, bestselling author of The Book of Delights 'The kind of authentic voice that is rarely heard nowadays. Her experiences of family and the patriarchal interpretations of Islam, pushed upon women of South Asian heritage, resonated with me on so many levels.' * Saima Mir, author of The Khan * 'The Colour of God is not a Huntington-esque, us vs them book, but a mirror showing us who we are. I found myself in every page...The author's strength is to bring the profound into the mundane. A very alluring read.' * Muslim News * 'An extraordinary memoir, which uses the author's wounds to help us to better understand the poetry of her ordinary life. It provides a beautiful glimpse of some of the realities of Muslim life at the beginning of the 21st century.' -- Amir Hussain, Chair and Professor of Theological Studies, Loyola Marymount University 'These lovingly curated memories take us through journeys of migration, displacement, loss, and resilience. Seeded with perceptive insights into colonial legacies, racism, resistance, gender, fundamentalism and faith, patriarchy and power, Chaudhry presents us with a memoir that is at once compelling and illuminating.' -- Zayn Kassam, Professor of Religious Studies, Pomona College 'Ayesha Chaudhry lifts the veil off an age-old trope about Muslim womanhood by diving deep and surfacing through its pain, love, joy and complexity. This memoir offers such profound candor that it challenges this trope by invoking depth of truth in its unfolding.' -- Amina Wadud

Author Information

Ayesha S. Chaudhry is Canada Research Chair, and Professor of Gender and Islamic Studies at the University of British Columbia. In 2018, she was named a Pierre Elliott Trudeau Fellow and a Member of the Royal Society of Canada. She is the author of Domestic Violence and the Islamic Tradition. Her research focuses on women's rights and Islamic reform.

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