Overview

""The wonder of these photographs is that they look like paintings, yet the objects depicted within them are not idealized. The dying domestic objects of the people to whom these interiors belong are no longer of this world. They have been captured on their journey to becoming indistinct trash. At the moment of their capture, they still looked like what they used to be, but moments after they were photographed, they no longer were anything. Their last breath of life is in these photographs; their only other existence is in the memories of their owners."" --Andrei Codrescu The devastation of New Orleans after Hurricane Katrina has been imprinted in our collective visual memory by thousands of images in the media and books of dramatic photographs by Robert Polidori, Larry Towell, Chris Jordan, Debbie Fleming Caffrey, and others. New Orleanians want the world to see and respond to the destruction of their city and the suffering of its people--and yet so many images of so much destruction threaten a visual and emotional overload that would tempt us to avert our eyes and become numb. In The Color of Loss, Dan Burkholder presents a powerful new way of seeing the ravaged homes, churches, schools, and businesses of New Orleans. Using an innovative digital photographic technology called high dynamic range (HDR) imaging, in which multiple exposures are artistically blended to bring out details in the shadows and highlights that would be hidden in conventional photographs, he creates images that are almost like paintings in their richness of color and profusion of detail. Far more intense and poetic than purely documentary photographs, Burkholder's images lure viewers to linger over theartifacts of people's lives--a child's red wagon abandoned in a mud-caked room, a molding picture of Jesus--to fully understand the havoc thrust upon the people of New Orleans. In the deserted, sinisterly beautiful rooms of The Color of Loss, we see how much of the splendor and texture of New Orleans washed away in the flood. This is the hidden truth of Katrina that Dan Burkholder has revealed.

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9780292717138

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The wonder of these photographs is that they look like paintings, yet the objects depicted within them are not idealized. The dying domestic objects of the people to whom these interiors belong are no longer of this world. They have been captured on their journey to becoming indistinct trash. At the moment of their capture, they still looked like what they used to be, but moments after they were photographed, they no longer were anything. Their last breath of life is in these photographs; their only other existence is in the memories of their owners. Andrei Codrescu

Author Information

Dan Burkholder is an acknowledged master of digital fine art photography. His landmark book, Making Digital Negatives for Contact Printing, has become the standard reference. Burkholder has taught at the International Center of Photography (New York), the Royal Photographic Society (Spain), the School of the Art Institute of Chicago, the Melbourne Royal Institute of Technology (Australia), and Santa Fe Workshops (New Mexico). He resides in Palenville, New York. Andrei Codrescu is the author of New Orleans, Mon Amour: Twenty Years of Writings from the City; Wakefield, a novel; and it was today: new poems. He has also written extensively about photography, including two essays on Walker Evans published by the Getty Museum. A regular commentator on NPR's ""All Things Considered,"" Andrei Codrescu lives in New Orleans and teaches at Louisiana State University in Baton Rouge. He also serves as editor of the literary journal Exquisite Corpse.

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