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9780231163293

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Reviews

A brilliant account of the Dardenne brothers' cinema... their politically engaged social realism and concern with the pauperized victims of global capital are beautifully complemented by the precise lucidity of the author's prose, the nuance of his textual analysis, and his provocative but non-dogmatic social theory. -- David James, University of Southern California An excellent introduction to the Dardenne brothers' films but also a lucid exposition of the historical and intellectual frameworks in which their social realism can be evaluated. This volume also explains how their filmmaking can be understood in terms of major contemporary philosophical currents. -- Felix Thompson, University of Derby, UK

A brilliant account of the Dardenne brothers' cinema... their politically engaged social realism and concern with the pauperized victims of global capital are beautifully complemented by the precise lucidity of the author's prose, the nuance of his textual analysis, and his provocative but non-dogmatic social theory. -- David James, University of Southern California An excellent introduction to the Dardenne brothers' films but also a lucid exposition of the historical and intellectual frameworks in which their social realism can be evaluated. This volume also explains how their filmmaking can be understood in terms of major contemporary philosophical currents. -- Felix Thompson, University of Derby, UK A comprehensive overview. -- Melina Gils * Film Quarterly *

A brilliant account of the Dardenne brothers' cinema is immediately the standard Anglophone text on these most important filmmakers. The Dardennes' politically engaged social realism and their concern with the pauperized victims of global capital are beautifully complemented by the precise lucidity of the author's prose, the nuance of his textual analysis, and his provocative but non-dogmatic social theory. -- David James, University of Southern California Not only an excellent introduction to the Dardenne brothers' films but also a lucid exposition of the historical and intellectual frameworks in which their social realism can be evaluated. This includes a detailed account of how their work has developed against the destructive forces of industrial decline and globalisation in Belgium, while explaining how their filmmaking can be understood in terms of major contemporary philosophical currents. -- Felix Thompson, University of Derby, UK

Author Information

Philip Mosley is professor of English and comparative literature at the Pennsylvania State University. He is the author of many works, including Split Screen: Belgian Cinema and Cultural Identity (2001) and a translation from French of The Book of the Snow by Francois Jacqmin, which was shortlisted for the 2011 Griffin Poetry Prize.

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