The Cinema of Stephanie Rothman: Radical Acts in Filmmaking

Author:   Alicia Kozma
Publisher:   University Press of Mississippi
ISBN:  

9781496840998


Pages:   280
Publication Date:   20 September 2022
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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The Cinema of Stephanie Rothman: Radical Acts in Filmmaking


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Author:   Alicia Kozma
Publisher:   University Press of Mississippi
Imprint:   University Press of Mississippi
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.80cm
Weight:   0.363kg
ISBN:  

9781496840998


ISBN 10:   1496840992
Pages:   280
Publication Date:   20 September 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Reviews

A vivid portrait of the difficulty of creating a career in mainstream Hollywood for women in the 1970s--Rosanne Welch, executive director of the MFA in TV and Screenwriting Program, Stephens College Thanks to Kozma's interventionist scholarship, we can now set the record straight on filmmaker Stephanie Rothman, a woman whose discriminatory experiences in the film industry give lie to the idea of parity as the ultimate solution to the systemic sexism and misogyny women faced and continue to face at all levels in the profession.--Kelly Hankin, professor of film studies in the Johnston Center for Integrative Studies, University of Redlands


Author Information

Alicia Kozma is director of the Indiana University Cinema. She holds a PhD from the Institute of Communication Research at the University of Illinois at Urbana-Champaign. She is coauthor of Refocus: The Films of Doris Wishman and Mobilized Identities: Mediated Subjectivity and Cultural Crisis in the Neoliberal Era, and her work has been published in Media Industries, Film Comment, Camera Obscura, Television and New Media, and other publications.

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