The Cinema of Neil Jordan

Author:   Carole Zucker ,  Stephen Rea
Publisher:   Wallflower Press
ISBN:  

9781905674428


Pages:   224
Publication Date:   01 January 2008
Format:   Hardback
Availability:   In Print   Availability explained
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The Cinema of Neil Jordan


Overview

The most internationally renowned of Irish film directors, Neil Jordan's diverse work has spanned gothic horror (The Company of Wolves, 1984, and Interview with the Vampire, 1994), Irish history (Michael Collins, 1996), literary adaptation (The End of the Affair, 1999) and sexual identity (The Crying Game, 1992, and Breakfast on Pluto, 2005), while retaining a distinctive stylistic flair for fantasy and the carnivalesque. The Cinema of Neil Jordan discusses his entire output as part of the first comprehensive study of Jordan's career, looking beyond ideological and national concerns to view his films through the prism of Celtic folklore, fairy tales, the gothic, romanticism and postmodernism. Incorporating discussion of Jordan's award-winning literary work and benefiting from extensive access to Jordan's personal archives, this book explains the mythic and poetic impulses that suffuse the director's work.

Full Product Details

Author:   Carole Zucker ,  Stephen Rea
Publisher:   Wallflower Press
Imprint:   Wallflower Press
Dimensions:   Width: 16.30cm , Height: 2.10cm , Length: 24.00cm
Weight:   0.512kg
ISBN:  

9781905674428


ISBN 10:   1905674422
Pages:   224
Publication Date:   01 January 2008
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.
Language:   English

Table of Contents

Reviews

Dark Carnival is essential reading for students of Irish film and that rare thing - a book that is comprehensive while remaining clear and focused.--Film Ireland


Author Information

Carole Zucker is Professor of Film Studies at Concordia University, Montreal, and has published several volumes of interviews with British, Irish and American actors. She is also the author of The Idea of the Image: Josef von Sternberg's Dietrich Films (1988).

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NOV RG 20252

 

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