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In this thorough exploration of two iconic Danish chairs, Taft looks to debunk old myths and makes a convincing case for a reexamination of Danish design and how it shaped the story of not only Danish modern, but also the evolution of modern design from New York to Chicago, North Dakota to Los Angeles, in post-war America. -- Zoe Ryan, Daniel W. Dietrich, II Director of the Institute of Contemporary Art, University of Pennsylvania This book is a clever conceit-it uses two exceedingly famous chairs, Finn Juhl's the Chieftain and Hans Wegner's the Chair, to narrate a specific history about the creation, consumption, marketing, and reception of Danish Modern in the United States. These chairs are diplomatic actors in the drama that unfolds surrounding the small, but mighty country of Denmark making furniture for an export market in the United States, in which one could not exist without the other. The Chieftain and the Chair is a fresh and succinct contribution to Nordic design studies. -- Monica Obniski, curator of decorative arts and design, High Museum In The Chieftain and the Chair, Taft provides a rich backstory to two fundamentally familiar mid-century furniture forms. By mining Danish-language archives and obscure American repositories, Taft makes the history of these chairs accessible to an English-speaking audience. Danish design was constructed to appeal to American consumers and American taste, as The Chieftain and the Chair deftly demonstrates. -- Bobbye Tigerman, Marilyn B. and Calvin B. Gross Curator for Decorative Arts and Design, Los Angeles County Museum of Art

In this thorough exploration of two iconic Danish chairs, Taft looks to debunk old myths and makes a convincing case for a reexamination of Danish design and how it shaped the story of not only Danish modern, but also the evolution of modern design from New York to Chicago, North Dakota to Los Angeles, in post-war America. -- Zoe Ryan, Daniel W. Dietrich, II Director of the Institute of Contemporary Art, University of Pennsylvania

In this thorough exploration of two iconic Danish chairs, Taft looks to debunk old myths and makes a convincing case for a reexamination of Danish design and how it shaped the story of not only Danish modern, but also the evolution of modern design from New York to Chicago, North Dakota to Los Angeles, in post-war America. -- Zoe Ryan, Daniel W. Dietrich, II Director of the Institute of Contemporary Art, University of Pennsylvania This book is a clever conceit-it uses two exceedingly famous chairs, Finn Juhl's the Chieftain and Hans Wegner's the Chair, to narrate a specific history about the creation, consumption, marketing, and reception of Danish Modern in the United States. These chairs are diplomatic actors in the drama that unfolds surrounding the small, but mighty country of Denmark making furniture for an export market in the United States, in which one could not exist without the other. The Chieftain and the Chair is a fresh and succinct contribution to Nordic design studies. -- Monica Obniski, curator of decorative arts and design, High Museum

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Maggie Taft is an art historian and founding director of Writing Space, a community-based writing center for artists and designers in Chicago. She is coeditor of Art in Chicago: A History from the Fire to Now.

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