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Author:   Simon Shepherd (Central School of Speech and Drama, London)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.10cm , Height: 1.80cm , Length: 23.70cm
Weight:   0.510kg
ISBN:  

9781107039322

ISBN 10:   1107039320
Pages:   256
Publication Date:   17 March 2016
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Preface; Part I. Definitions of Performance: 1. Sociology and the rituals of interaction; 2. Theatre, ceremony and everyday life; 3. Ethnography, folklore and communicative events; 4. Cultural performance, social drama and liminality; 5. Performance as a new sort of knowledge; Part II. The Emergence of Performance as Sensuous Practice: 6. Situationism, games and subversion; 7. Hippies and expressive play; 8. Performance as a new pedagogy; 9. Architecture and the performed city; 10. New forms of activism; 11. Happenings and everyday performance; 12. Body art and feminism; 13. The arrival of performance art and live art; 14. Dance party politics; Part III. Theorising Performance: 15. Performance, postmodernism and critical theory; 16. What performance studies is: version 1: New York and Northwestern; 17. What performance studies is: version 2: oral interpretation; 18. How performance studies emerged; 19. Gender performativity; 20. Performance and performativity; 21. The relations between performance, theatre and text; 22. The magic of performance; Afterword.

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Author Information

Simon Shepherd is Professor Emeritus of Theatre at the Royal Central School of Speech and Drama, University of London. He has written on performance, theatre and culture for over thirty years and his books include Direction (2012), The Cambridge Introduction to Modern British Theatre (Cambridge, 2010), Drama/Theatre/Performance (with Mick Wallis, 2004), Studying Plays (with Mick Wallis, 1998) and English Drama: A Cultural History (with Peter Womack, 1996).

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