The Cambridge History of World Music

Author:   Philip V. Bohlman (University of Chicago)
Publisher:   Cambridge University Press
ISBN:  

9781108406475


Pages:   877
Publication Date:   13 July 2017
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Cambridge History of World Music


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Author:   Philip V. Bohlman (University of Chicago)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.20cm , Height: 4.00cm , Length: 22.90cm
Weight:   1.100kg
ISBN:  

9781108406475


ISBN 10:   1108406475
Pages:   877
Publication Date:   13 July 2017
Audience:   Professional and scholarly ,  College/higher education ,  Professional and scholarly ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'With The Cambridge History of World Music, Philip Bohlman and company have confronted the hazards of this complex enterprise head on while at the same time inspiring the kinds of curiosity, wonder, and delight that ensure its vitality as a historical subject. World music needs history, ethnomusicology needs world music, and world music and ethnomusicology alike need this book. Louis, I think this is the beginning of a beautiful friendship.' Michael B. Bakan, Ethnomusicology


'With The Cambridge History of World Music, Philip Bohlman and company have confronted the hazards of this complex enterprise head on while at the same time inspiring the kinds of curiosity, wonder, and delight that ensure its vitality as a historical subject. World music needs history, ethnomusicology needs world music, and world music and ethnomusicology alike need this book. Louis, I think this is the beginning of a beautiful friendship.' Michael B. Bakan, Ethnomusicology 'With The Cambridge History of World Music, Philip Bohlman and company have confronted the hazards of this complex enterprise head on while at the same time inspiring the kinds of curiosity, wonder, and delight that ensure its vitality as a historical subject. World music needs history, ethnomusicology needs world music, and world music and ethnomusicology alike need this book. Louis, I think this is the beginning of a beautiful friendship.' Michael B. Bakan, Ethnomusicology


Author Information

Philip V. Bohlman is the Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago and Honorarprofessor at the Hochschule für Musik, Theater und Medien Hannover. A pianist, he is the Artistic Director of the New Budapest Orpheum Society, a Jewish cabaret and ensemble-in-residence at the University of Chicago. Among his honors are the Edward Dent Medal, the Berlin Prize, the Derek Allen Prize from the British Academy and the Noah Greenberg Award from the American Musicological Society. He is currently completing the volume, Ethnomusicology, for the Cambridge Introductions to Music series.

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