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Author:   Jonathan Freedman (University of Michigan, Ann Arbor)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.10cm , Height: 1.50cm , Length: 22.80cm
Weight:   0.410kg
ISBN:  

9781107514881

ISBN 10:   1107514886
Pages:   282
Publication Date:   08 July 2015
Audience:   Professional and scholarly ,  General/trade ,  Professional & Vocational ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

1. Cycling through: Hitchcock and the studio system Thomas Schatz; 2. Making the brand Janet Staiger; 3. Hitchcock on location: America, icons, and the place of illusion Sara Blair; 4. Hitchcock, class, and noir Homer Pettey; 5. American civilization and its discontents: the persistence of evil in Hitchcock's Shadow of a Doubt Carl Freedman; 6. Alfred Hitchcock and feminist film theory Susan White; 7. Hitchcock and queer sexuality David Greven; 8. Psycho and psychoanalysis Stephen Tiff; 9. Expedient exaggeration and the scale of Cold War farce in North by Northwest Alan Nadel; 10. Looking up: class, England, and America in The Men Who Knew Too Much Murray Pomerance; 11. Seeing red: the color bleed in Hitchcock Brigitte Peucker; 12. Live nude Hitchcock: final frenzies Mark Goble; 13. The school of Hitchcock: in the wake of the master Jonathan Freedman.

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Author Information

Jonathan Freedman is Marvin Felheim Collegiate Professor of English, American, and Jewish Studies at the University of Michigan. His monographs include Professions of Taste: Henry James, British Aestheticism, and Commodity Culture, The Temple of Culture: Assimilation and Anti-Semitism in Literary Anglo-America, and Klezmer America: Jewishness, Ethnicity, Modernity. Freedman has also coedited with Richard Millington Hitchcock's America as well as anthologies of criticism on Henry James and Oscar Wilde. He has held fellowships from the Guggenheim Foundation and the National Humanities Center.

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