The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom

Author:   Beisel Hollenbach, Katie (Musicologist, Musicologist, University of Washington)
Publisher:   Oxford University Press Inc
ISBN:  

9780197659182


Pages:   184
Publication Date:   13 January 2025
Format:   Hardback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom


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Full Product Details

Author:   Beisel Hollenbach, Katie (Musicologist, Musicologist, University of Washington)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 16.80cm , Height: 2.00cm , Length: 23.90cm
Weight:   0.440kg
ISBN:  

9780197659182


ISBN 10:   0197659187
Pages:   184
Publication Date:   13 January 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction 1. Teenage Girls in Wartime American Culture 2. Teenage Social Organizations 3. Finding

Reviews

Katie Beisel Hollenbach vividly demonstrates how much bobbysoxers responded directly to perceptions that mass adulation was uncivilized, irresponsible, and unladylike. 'Organized fandom' was no contradiction in terms for Sinatra's engaged and professional army of followers. His fan clubs not only displayed a strong sense of generational ownership; they showed a real ethos of civic duty in wartime America. The past of music fandom remains something of an undiscovered continent. Analyzing a key moment and phenomenon, Hollenbach's fascinating new book is a real landmark. A stellar study - we need more work as good as this. * Mark Duffett, Associate Professor of Media and Cultural Studies, University of Chester *


Author Information

Katie Beisel Hollenbach is a musicologist and graduate curriculum specialist at the University of Washington. She holds a PhD in Musicology from the University of Illinois at Urbana-Champaign. Her research focuses on popular music, technological mediation, and reception, and has appeared in the Journal of Popular Music Studies and Music and the Moving Image.

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Latest Reading Guide

NOV RG 20252

 

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