Overview

In 1945, the great American poet Ezra Pound was deemed insane. He was due to stand trial for treason for his fascist broadcasts in Italy during the war. Instead, he escaped a possible death sentence and was held at St. Elizabeths Hospital for the insane for more than a decade. While there, his visitors included the stars of modern poetry: T. S. Eliot, Elizabeth Bishop, John Berryman, Robert Lowell, Charles Olson, and William Carlos Williams, among others. They would sit with Pound on the hospital grounds, bring him news of the outside world, and discuss everything from literary gossip to past escapades. This was perhaps the world's most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Those who came often recorded what they saw. Pound was at his most infamous, most hated, and most followed. At St. Elizabeths he was a genius and a madman, a contrarian and a poet, and impossible to ignore. In The Bughouse, Daniel Swift traces Pound and his legacy, walking the halls of St. Elizabeths and meeting modern-day neofascists in Rome. Unlike a traditional biography, The Bughouse sees Pound through the eyes of others at a critical moment both in Pound's own life and in twentieth-century art and politics.

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9781541460744

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Reviews

To understand an artist as compromised by circumstances-and by his own many contradictions-as Ezra Pound, we have to trace a complex path through a maze of half-truths, myth, and simplification. The Bughouse does so with supreme care, critical acumen, and humanity, shedding a whole new light not only on Pound the man, but also on the shape and character of The Cantos, one of the most seriously flawed and truly brilliant artworks of the twentieth century. ---John Burnside

aEUROoeTo understand an artist as compromised by circumstancesaEURO and by his own many contradictionsaEURO as Ezra Pound, we have to trace a complex path through a maze of half-truths, myth, and simplification. The Bughouse does so with supreme care, critical acumen, and humanity, shedding a whole new light not only on Pound the man, but also on the shape and character of The Cantos, one of the most seriously flawed and truly brilliant artworks of the twentieth century.aEURO ---John Burnside

Author Information

Daniel Swift teaches at the New College of the Humanities in London. His first book, Bomber County, was long-listed for the Samuel Johnson Prize and the Guardian First Book Award, and his essays and reviews have appeared in the New York Times, the New Statesman, and Harper's Magazine. An award-winning audio engineer for over forty years, Tom Perkins has expanded his skills to narrating and has more than sixty titles to his credit. He learned by working with the world's best voice talent during his career, and he continues to engineer a variety of projects.

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