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Full Product Details

Author:   Professor Markus Wessendorf (Customer) ,  Friedemann J. Weidauer
Publisher:   International Brecht Society
Imprint:   International Brecht Society
Volume:   No. 36
Dimensions:   Width: 15.20cm , Height: 2.60cm , Length: 22.90cm
Weight:   0.696kg
ISBN:  

9780971896390

ISBN 10:   0971896399
Pages:   422
Publication Date:   15 January 2012
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Awaiting stock  
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.
Language:   Multiple languages

Table of Contents

Editorial   Brecht in India / Brecht in Indien Richard Schechner (New York) Malleable Brecht: The Performance Group\u2019s Mother Courage in India, 1976 Amal Allana (Delhi) Brecht: A Participant in the Process of Nation-Building Boris Dauss\u00e0-Pastor (New York) Estrangement in Kathakali   Contemporary Japanese Theater / Japanisches Gegenwartstheater Michiko Tanigawa (Tokyo) Die Stellung des Black Tent Theaters in der japanischen Brecht-Rezeption Joachim Lucchesi (Berlin) Jan-Jan-Oper und Osaka Rap Teil 1: Brecht-Nachkl\u00e4nge im Theater Ishinha Akira Ichikawa (Osaka) Jan-Jan-Oper und Osaka Rap Teil 2: Yukichi Matsumotos Mizumachi und Keaton   The \u201cChinese\u201d Brecht / Der \u201cchinesische\u201d Brecht Andreas Aurin (Sydney) Towards a Taoist Reading of the Lehrstu¨ck The Horatians and the Curiatians Weijia Li (Macomb) Braveness in Non-Action: The Taoist Strategy of Survival in Bertolt Brecht\u2019s Schweyk and Anna Seghers\u2019 Transit Zheng Jie (Singapore) Brecht\u2019s Good Person and Traditional Humanistic Chinese Philosophy: Towards an Ethical Subject Gu¨nther Heeg (Leipzig) Brechts chinesische Wendungen: Me-ti und die Praxis kultureller Flexionen Yuan Tan (Wuhan) Unter der chinesischen Maske: Neue Studien zu Brechts „Sechs chinesischen Gedichten\u201c Eberhard Fritz (Altshausen) Die Gro\u00dfmutter, der Pietismus und die Missionare: Neue biografische Erkl\u00e4rungsans\u00e4tze in Bezug auf Brechts „chinesisches Werk\u201c Friedemann Weidauer (Storrs) Brecht\u2019s (Brush with) Maoism   Tradition—Brecht—Political Theater / Tradition—Brecht—Politisches Theater Farzana Akhter (Dhaka) Performing Brecht in Bangladesh: Making the Unfamiliar Familiar Parichat Jungwiwattanaporn (Bangkok) Brechtian Theater Meets Buddhist Aesthetics: Kamron Gunatilaka\u2019s The Revolutionist Jan Creutzenberg (Seoul) The Good Person of Korea: Lee Jaram 's Sacheon-ga as a Dialogue between Brecht and Pansori   Brecht between Imperialism and Postcolonialism, Orient and Occident / Brecht zwischen Imperialismus und Postkolonialismus, Orient und Okzident Marc Silberman (Madison) A Postcolonial Brecht? Melissa Dinsman (Notre Dame) Imperial Brecht? Bertolt Brecht\u2019s Complex Portrayal of Empire in Mann ist Mann Gudrun Tabbert-Jones (Santa Clara) The \u201cLord of the South See\u201d and His \u201cMaori Woman:\u201d The Function of the Tahiti Metaphor in Brecht\u2019s Early Works Martin Revermann (Toronto) Brecht\u2019s Asia vs. Brecht\u2019s Greece: Cultural Constructs and the Explanatory Power of a Binary   Fritz Bennewitz\u2019s Intercultural Brecht Productions / Fritz Bennewitz\u2019 interkulturelle Brecht-Inszenierungen Rolf Rohmer (Leipzig) Ann\u00e4herungen an den Interkulturalismus mit Brecht: Fritz Bennewitz\u2019 Theaterarbeit in Asien Joerg Esleben (Ottawa) From Didactic to Dialectic Intercultural Theater: Fritz Bennewitz and the 1973 Production of the Caucasian Chalk Circle in Mumbai David G. John (Waterloo) Fritz Bennewitz\u2019s Islamic Chalk Circle in the Philippines   Brecht(\u2019s) Adaptations / Brecht(s) Bearbeitungen Dennis Carroll (Honolulu) Wuolijoki, Brecht, \u201cWell Made\u201d Dramaturgy, and The Judith of Shimoda Markus Wessendorf (Honolulu) \u201cFear and Misery\u201d Post-9/11: Mark Ravenhill\u2019s Shoot/Get Treasure/Repeat   Conspectus Antony Tatlow (Dublin) Brecht\u2019s East Asia

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Author Information

MARKUS WESSENDORF is a Professor in the Department of Theatre and Dance at the University of Hawai'i at Mānoa in Honolulu.

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