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OverviewFull Product DetailsAuthor: Andrew R. GuffeyPublisher: Rowman & Littlefield Imprint: Lexington Books/Fortress Academic Dimensions: Width: 16.00cm , Height: 2.30cm , Length: 22.70cm Weight: 0.621kg ISBN: 9781978706576ISBN 10: 197870657 Pages: 276 Publication Date: 10 October 2019 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsChapter 1. Apocalyptic Images Beyond the Verbal-Visual Opposition Chapter 2. The Image and the Pictorial Turn Chapter 3. Rhetoric and the Book of Revelation Chapter 4. Ancient Ekphrasis Chapter 5. Ekphrastic Analogues in John's Apocalypse Chapter 6. In the Image of the Emperor? Chapter 7. The Great Altar of Pergamon and the Divine Throne Room Chapter 8. Queen of HeavenReviewsFew scholars on the book of Revelation can match Andrew R. Guffey's sensitive appreciation of its visual character. In this beautifully-written monograph, Guffey engages broader scholarship on image and visuality, laying out a robust challenge to exegetes: to focus less on precise sources such as Roman coins or monumental buildings than on analogues from John's cultural milieu; to 'unlearn' long-established patterns of reading the Apocalypse which tend towards decoding John's images at the expense of appreciating their aesthetic power. Instead, Guffey refocuses the crucial question: what is an apocalyptic 'image', and what does it do? This is an important book, which will revolutionize how scholars speak about the 'visuality' of this most visual of biblical texts. -- Ian Boxall, The Catholic University of America Few scholars on the book of Revelation can match Andrew R. Guffey's sensitive appreciation of its visual character. In this beautifully-written monograph, Guffey engages broader scholarship on image and visuality, laying out a robust challenge to exegetes: to focus less on precise sources such as Roman coins or monumental buildings than on analogues from John's cultural milieu; to `unlearn' long-established patterns of reading the Apocalypse which tend towards decoding John's images at the expense of appreciating their aesthetic power. Instead, Guffey refocuses the crucial question: what is an apocalyptic `image', and what does it do? This is an important book, which will revolutionize how scholars speak about the `visuality' of this most visual of biblical texts. -- Ian Boxall, The Catholic University of America Author InformationAndrew R. Guffey is visiting instructor of New Testament at the Lutheran School of Theology at Chicago. Tab Content 6Author Website:Countries AvailableAll regions |