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OverviewFull Product DetailsAuthor: Robert Lee WattPublisher: Rowman & Littlefield Imprint: Rowman & Littlefield Dimensions: Width: 15.10cm , Height: 2.10cm , Length: 22.80cm Weight: 0.454kg ISBN: 9781442268715ISBN 10: 1442268719 Pages: 300 Publication Date: 17 February 2016 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsChapter 1: Prelude Chapter 2: Early Memories Chapter 3: Back to Asbury Park Chapter 4: Left Back Chapter 5: First Love Chapter 6: Music Chose Me Chapter 7: Adolescent Secrets Chapter 8: A Random Blessing Chapter 9: First Date Chapter 10: Pleasure and Pain Chapter 11: Lessons in Life Chapter 12: My Great Escape Chapter 13: First Sweet Victory Chapter 14: Tension Chapter 15: Welcome to the World Chapter 16: Music Camp/Boston Pops Chapter 17: Best Summer Chapter 18: Turning Pro Chapter 19: Loving a Colored Girl Chapter 20: Greeting Manhood Chapter 21: In Love / Tanglewood Chapter 22: The Musical Mountain Chapter 23: First Audition Chapter 24: Madness! Chapter 25: The Los Angeles Philharmonic Chapter 26: The Dream Chapter 27: Black Los Angeles Chapter 28: Deeper Into the Dream Chapter 29: Emotions Miscellaneous Chapter 30: To Viet Nam? Chapter 31: On with Life Chapter 32: Fear of Flying Chapter 33: Japan Chapter 34: The New Black Player / The Ark Chapter 35: Leave the LA Philharmonic? Chapter 36: What we fear the most Chapter 37: Conversations with Jerome Ashby Chapter 38: Challenged by a Peer Chapter 39: Give it up Chapter 40: My Sandbox Buddy Chapter 41: Where had he been all my life? Chapter 42: Who was he really? Chapter 43: Tales from the Symphony Chapter 44: Final Revelations Chapter 45: The New Brass Ensemble / Madame Chapter 46: More European Adventures Chapter 47: A Black Brass Quintet in Finland ? Chapter 48: Enchanting Encounters Chapter 49: What I live for Chapter 50: “It’s Good to be Negro!” Chapter 51: Missing Miles Chapter 52: Salzburg Festival Chapter 53: Finale Appendix: List of Negro Musicians at the New York Philharmonic, April 1969ReviewsBlack Horn takes on the life of Watt with raw honesty, humor, and diversity. Watt describes every situation with precise detail. Nothing is left to the imagination. Through intimate encounters, the feeling of being disrespected by peers, and a lack of support throughout his early years as a musician, Watt evokes the emotions behind what it's like for him to be a successful African-American classical musician. * International Musician * Certainly there is wisdom to be imparted by a musician of Watt's experience. One has to admire his perseverance and tenacity in remaining with what was obviously a contentious section for so many years. * Fanfare Magazine * Robert Lee Watt didn't allow racial stereotypes and the low expectations of others to hold him back. From the beginning, the classical musician used that negativity as his fuel to excel... The Black Horn is candid and often humorous. Watt's stories of transcending racial and class discrimination are especially edifying. * Los Angeles Review of Books * Black Horn takes on the life of Watt with raw honesty, humor, and diversity. Watt describes every situation with precise detail. Nothing is left to the imagination. Through intimate encounters, the feeling of being disrespected by peers, and a lack of support throughout his early years as a musician, Watt evokes the emotions behind what it's like for him to be a successful African-American classical musician. International Musician Certainly there is wisdom to be imparted by a musician of Watt's experience. One has to admire his perseverance and tenacity in remaining with what was obviously a contentious section for so many years. Fanfare Magazine Black Horn takes on the life of Watt with raw honesty, humor, and diversity. Watt describes every situation with precise detail. Nothing is left to the imagination. Through intimate encounters, the feeling of being disrespected by peers, and a lack of support throughout his early years as a musician, Watt evokes the emotions behind what it's like for him to be a successful African-American classical musician. International Musician Certainly there is wisdom to be imparted by a musician of Watt's experience. One has to admire his perseverance and tenacity in remaining with what was obviously a contentious section for so many years. Fanfare Magazine Author InformationRobert Lee Watt studied French horn at the New England Conservatory of Music with Harry Shapiro of the Boston Symphony. In 1970, he was hired by the Los Angeles Philharmonic as assistant first French horn under maestro Zubin Mehta. Tab Content 6Author Website:Countries AvailableAll regions |