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OverviewFull Product DetailsAuthor: Carol Tulloch (Chelsea College of Art and Design, University of the Arts, London, UK) , Syd SheltonPublisher: Bloomsbury Publishing PLC Imprint: Berg Publishers Dimensions: Width: 15.60cm , Height: 1.90cm , Length: 23.40cm Weight: 0.590kg ISBN: 9781859734650ISBN 10: 1859734650 Pages: 272 Publication Date: 28 January 2016 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: This Time it's Personal 1. Angel in the Market Place: The African-Jamaican Higgler, 1880-1903 2. 'We Also Should Walk in the Newness of Life': Individualised Harlem Styles of the 1930s 3. 'All of Me': Billie Holiday 4. 'My Man Let Me Pull Your Coat to Something': Malcolm X 5. You Should Understand, it's a Freedom Thing: The Stoned Cherrie-Steve Biko T-shirt 6. Here: The Haunting Joy of Being in England Coda Bibliography IndexReviewsThe Birth of Cool makes a unique contribution to studies of dress and culture, as well as to black studies and diaspora studies. Tulloch deconstructs and reconstructs black aesthetics to open new pathways for understanding the lives and social histories of figures like Billie Holiday and Malcolm X. It is one of the most impressive works I have read in years. D. Soyini Madison, Northwestern University, USA <i>The Birth of Cool</i> makes a unique contribution to studies of dress and culture, as well as to black studies and diaspora studies. Tulloch deconstructs and reconstructs black aesthetics to open new pathways for understanding the lives and social histories of figures like Billie Holiday and Malcolm X. It is one of the most impressive works I have read in years. --<i>D. Soyini Madison, Northwestern University, USA</i> <i>The Birth of Cool</i> makes a unique contribution to studies of dress and culture, as well as to black studies and diaspora studies. Tulloch deconstructs and reconstructs black aesthetics to open new pathways for understanding the lives and social histories of figures like Billie Holiday and Malcolm X. It is one of the most impressive works I have read in years. <i>D. Soyini Madison, Northwestern University, USA</i> Author InformationCarol Tulloch is Professor of Dress, Diaspora and Transnationalism at Chelsea College of Arts, University of the Arts London, UK. She is also the Chelsea College of Arts/Victoria and Albert Museum Fellow in Black British Visual and Material Culture. Tab Content 6Author Website:Countries AvailableAll regions |