The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England

Author:   Thomas Fulton (Rutgers University, New Jersey) ,  Kristen Poole (University of Delaware)
Publisher:   Cambridge University Press
ISBN:  

9781107194236


Pages:   318
Publication Date:   26 April 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England


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Author:   Thomas Fulton (Rutgers University, New Jersey) ,  Kristen Poole (University of Delaware)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.70cm , Height: 1.80cm , Length: 23.50cm
Weight:   0.570kg
ISBN:  

9781107194236


ISBN 10:   1107194237
Pages:   318
Publication Date:   26 April 2018
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'The essays in The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England continue this expansion of the historical and literary perspectives in the field whilst concentrating on Shakespeare. It will certainly help move the scholarly conversation onwards along new axes.' Jem Bloomfield, The Review of English Studies '... Fulton and Poole have gathered a formidable body of scholarship to help us think about and with Shakespeare's religious culture. This collection of essays may be read, excerpted, and deployed in a number of productive ways in the undergraduate and graduate classroom ... It is a must-read for scholars wishing to expand and deepen their knowledge of early modern biblical exegetes and their influence on Shakespeare's culture and works.' Kurt Schreyer, Modern Philology 'The collection is admirably clear, sensible, and well focused on its central thesis. This is a splendid book.' David Bevington, Renaissance Quarterly 'The essays in The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England continue this expansion of the historical and literary perspectives in the field whilst concentrating on Shakespeare. It will certainly help move the scholarly conversation onwards along new axes.' Jem Bloomfield, The Review of English Studies '... Fulton and Poole have gathered a formidable body of scholarship to help us think about and with Shakespeare's religious culture. This collection of essays may be read, excerpted, and deployed in a number of productive ways in the undergraduate and graduate classroom ... It is a must-read for scholars wishing to expand and deepen their knowledge of early modern biblical exegetes and their influence on Shakespeare's culture and works.' Kurt Schreyer, Modern Philology 'The collection is admirably clear, sensible, and well focused on its central thesis. This is a splendid book.' David Bevington, Renaissance Quarterly


'The essays in The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England continue this expansion of the historical and literary perspectives in the field whilst concentrating on Shakespeare. It will certainly help move the scholarly conversation onwards along new axes.' Jem Bloomfield, The Review of English Studies 'The essays in The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England continue this expansion of the historical and literary perspectives in the field whilst concentrating on Shakespeare. It will certainly help move the scholarly conversation onwards along new axes.' Jem Bloomfield, The Review of English Studies


Author Information

Thomas Fulton is Associate Professor of English at Rutgers University, New Jersey. He is the author of Historical Milton: Manuscript, Print, and Political Culture in Revolutionary England ( 2010), and co-editor, with Ann Baynes Coiro, of Rethinking Historicism from Shakespeare to Milton (Cambridge, 2012). Kristen Poole is the Blue and Gold Distinguished Professor of English Renaissance Literature at the University of Delaware. She is the author of Radical Religion from Shakespeare to Milton: Figures of Nonconformity in Early Modern England (Cambridge, 2000) and Supernatural Environments in Shakespeare's England: Spaces of Demonism, Divinity, and Drama (Cambridge, 2011).

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