Overview
The Japanese philosopher and aesthete's definitive, hugely influential exposition of his philosophy of folkcrafts, setting out the hallmarks of Japanese design as we know it today - anonymity, quality, simplicity and honesty - and, of course, wabi-sabi, the beauty of imperfection Our lives are filled with objects. Everyday things used in everyday settings, they are our constant companions. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - an aesthetic fulfilment of our practical needs. They should, in short, be things of beauty. Long revered as the authority on craftsmanship and Japanese aesthetics, Yanagi devoted his life and writing to defend the value of craft. In an age of feeble and ugly machine-made things, this now-classic book is a call for each of us to deepen our relationship with the objects that surround us. Inspired by the work of the simple artisans Yanagi encountered on his lifelong travels through Japan and Korea, it is a heartfelt defence of modest, honest, handcrafted objects, from traditional teacups to jars to paper. Objects that exemplify the beauty of everyday things. ""Radical and inspiring ... Yanagi's vision puts the connection between heart and hand before the transient and commercial"" - Edmund de Waal ""Soetsu Yanagi's unerring eye has influenced generations of makers. His notion of Zen and the art of design continues to inspire all those involved in shaping our everyday world"" - Jasper Morrison
Full Product Details
Author: Soetsu Yanagi ,
Michael Brase
Publisher: Penguin Books Ltd
Imprint: Penguin Classics
Dimensions:
Width: 10.90cm
, Height: 2.60cm
, Length: 18.00cm
Weight: 0.238kg
ISBN: 9780241366356
ISBN 10: 0241366356
Pages: 352
Publication Date: 31 January 2019
Audience:
General/trade
,
General
Format: Paperback
Publisher's Status: Active
Availability: Available To Order
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Language: English
Reviews
It would not be entirely amiss to describe Yanagi's position in Japan as comparable to that of Ruskin and Morris in England ... He left as a legacy an aesthetic and religious creed of vital importance to men and women all over the world -- Bernard Leach What impresses me most in Yanagi is the strength of his vision, his direct eye for beauty. His was an immediate and intuitive faculty of an extraordinary kind -- Shoji Hamada
Soetsu Yanagi's unerring eye has influenced generations of makers. His notion of Zen and the art of design continues to inspire all those involved in shaping our everyday world -- Jasper Morrison Radical and inspiring ... Yanagi's vision puts the connection between heart and hand before the transient and commercial -- Edmund de Waal What impresses me most in Yanagi is the strength of his vision, his direct eye for beauty. His was an immediate and intuitive faculty of an extraordinary kind -- Shoji Hamada It would not be entirely amiss to describe Yanagi's position in Japan as comparable to that of Ruskin and Morris in England ... He left as a legacy an aesthetic and religious creed of vital importance to men and women all over the world -- Bernard Leach
Author Information
Soetsu Yanagi (1889 - 1961) was a philosopher, art historian, aesthete and poet. He evolved a theory of why certain objects made by unknown craftsmen were so beautiful, and became the founding father of the Japanese folk crafts ('mingei') movement. He helped establish, and was the first director of, the Japanese Folk Crafts Museum.
