The Atomic Bomb in Japanese Cinema: Critical Essays

Author:   Matthew Edwards
Publisher:   McFarland & Co Inc
ISBN:  

9780786479122


Pages:   300
Publication Date:   03 July 2015
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Available To Order   Availability explained
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The Atomic Bomb in Japanese Cinema: Critical Essays


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Full Product Details

Author:   Matthew Edwards
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 17.80cm , Height: 1.50cm , Length: 25.40cm
Weight:   0.526kg
ISBN:  

9780786479122


ISBN 10:   0786479124
Pages:   300
Publication Date:   03 July 2015
Recommended Age:   From 18 years
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Table of Contents Acknowledgments Preface • Matthew Edwards Introduction • Matthew Edwards Prologue: Hiroshima/Nagasaki • Matthew Edwards Part I: Gojira and the Bomb The Rhetorical Significance of Gojira: Equipment for Living Through Trauma • Shannon Stevens Japan Removed: Godzilla Adaptations and Erasure of the Politics of Nuclear Experience • Jason C. Jones Atomic Reaction: Godzilla as Metaphor for Generational Attitudes toward the United States and the Bomb • John Vohlidka Part II: Japanese Atomic Cinema, 1945–2014 Suppression and Censorship: Japanese Cinema During the Occupation • Matthew Edwards Pica-don: Japanese and American Reception and Promotion of Hideo Sekigawa’s Hiroshima • Mick Broderick and Junko Hatori The Shadow of the Bomb in Hiroshi Teshigahara’s The Face of Another • Tony Pritchard Nuclear Skin: Hiroshima and the Critique of Embodiment in Affairs Within Walls • Julia Alekseyeva The Atomic Bomb Experience and the Japanese Family in Keiji Nakazawa’s Anime Hadashi no Gen (Barefoot Gen) • Kenji Kaneko Yuichi and Jizō in Black Rain: Imamura’s Phenomenological Attempt to Render a Hiroshima Wormhole Experience Among His Audience • Keiko Takioto Miller Trauma and Witness in Hideo Nakata’s Ring • Tienfong Ho The Fragile Roots of Memory • Robert McParland Inconceivable Anxiety: Representation, Disease and Discrimination in ­Atomic-Bomb Films • Yuki Miyamoto Kazuo Kuroki and Hisashi Inoue’s Chichi to kuraseba: Remember, Protest and Return to Ordinary Life • Yoshiko Fukushima Breaking the Silence of the Atomic Bomb Survivors in the Japanese Graphic Novel Town of Evening Calm, Country of Cherry Blossoms and the Film Adaptation • Senjo Nakai The Sound of the Bomb: Gō Shibata’s NN-891102  • Johannes Schönherr Part III: Western Perspectives Hiroshima Films: Cultural Contexts Before, During and After the Cold War • Greg Nielsen and Margaret M. Ferrara Hiroshima: An Interview with Director Roger Spottiswoode • Matthew Edwards White Light/Black Rain: The “Atomic Films” of Steven Okazaki • Matthew Edwards A[nime] Bomb: An Interview with Hibakusha Director Steve Nguyen • Matthew Edwards Hibakusha: Our Life to Live: An Interview with Director David Rothauser • Matthew Edwards All That Remains: An Interview with Ian and Dominic Higgins • Matthew Edwards Appendix: Japanese Titles of Films Referenced in Text About the Contributors Index

Reviews

A valuable contribution --Steve Okazaki, Emmy award winning director; A fascinating and enlightening read -- Ian and Dominic Higgins, film directors; So incredibly honored to be a part of this wonderful collection of essays that explore the extensive collection of stories about the atomic bomb in popular cinema. --Steve Nguyen, film director; A work of immense scholarship and devoted passion --David Rothauser, director.


Author Information

Matthew Edwards is a primary school teacher and freelance writer from Cirencester, England. He is the author or editor of numerous books on world cinema.

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