Assessment in Music Education

Author:   Martin Fautley
Publisher:   Oxford University Press
ISBN:  

9780193362895


Pages:   240
Publication Date:   14 January 2010
Format:   Paperback
Availability:   To order   Availability explained
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Assessment in Music Education


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Full Product Details

Author:   Martin Fautley
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 15.70cm , Height: 1.40cm , Length: 23.30cm
Weight:   0.372kg
ISBN:  

9780193362895


ISBN 10:   0193362899
Pages:   240
Publication Date:   14 January 2010
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

1: Introduction to assessment in music education 2: Clarifying terminologies: uses and purposes of assessment 3: Reliability and validity 4: Evidencing achievement 5: Learning and knowledge in classroom music 6: Why assess? 7: 7. Progression, development, and assessment 8: Quality, values, and the affective domain 9: Developing appropriate criteria for assessment 10: Developing classroom performing by the use of assessment 11: Developing classroom composing through assessment 12: Developing listening through assessment 13: Developing classroom improvising by the use of assessment 14: Assessment and ICT in music education 15: The role of baseline assessment 16: Putting it together: holistic approaches to learning and assessment in music 17: The way forwards: new developments in assessment

Reviews

Even before I picked this book up, I knew it was going to be a good one ... Fautley makes it come alive. It is not just the quality of the writing and the humour. He shows us why it matters and what a difference good assessment can make to young people - and that I find interesting ... What is so good about this book is that Fautley not only outlines the problems but also suggests solutions ... Throughout this clearly written, highly readable book two central areas of concern emerge. One is that the most important role for assessment is to help students 'get better' at music. The other is that any practical solutions offered have to fit in with the reality of a workforce which is currently working at full stretch. It is these two priorities that make this book so important. If God hadn't wanted us to sort out assessment in music education, he wouldn't have given us Martin Fautley. David Ashworth, www.teachingmusic.org.uk, May 2010 Assessment in Music Education provides a very welcome 'bible' for understanding every aspect of assessment in music education ... In general the writing style is accessible - a real achievement with such a multi-faceted and complex topic. In the more theoretical sections, Fautley makes a real effort to simplify concepts to communicate them effectively to his readers ... Assessment in Music Education is a well-referenced compendium of information on all aspects of the topic. Whether or not the present government decides to continue the current emphasis on assessment in the cloassroom, this will remain a standard work in the field. Bette Gray-Fow, Classroom Music, Autumn 2010 Assessment in Music Education provides a detailed but very readable exploration of the theory and practice of assessment in the classroom, largely at Key Stage 3 ... It is the most thoughtful exposition I know of teaching and learning in the Key Stage 3 National Curriculum, even if its conclusion is that, 'At present, it is not entirely clear what progression in music learning entails'. James Garnett, Music Teacher magazine, May 2010


Author Information

Martin Fautley began his career as a music teacher, teaching in secondary schools in the Midlands (UK). He taught a broad spectrum of pupils, was director of a number of successful school musical ensembles, and ran a music centre, where he was in daily contact with instrumental learning. Following an in-service MA in education, he returned to full-time study at Cambridge University, where his doctoral research into group composing, and the role that teacher assessment can play in developing it, bridged the education and music faculties. In 2007 Martin became Reader in Music Education at Birmingham City University, where he has written and published widely on matters concerning creativity and assessment. He continues to undertake research into these key areas of education, and is a regular presenter at conferences.

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