The Artist as Reader: On Education and Non-Education of Early Modern Artists

Author:   Heiko Damm ,  Michael Thimann ,  Claus Zittel
Publisher:   Brill
Volume:   27
ISBN:  

9789004242234


Pages:   522
Publication Date:   07 December 2012
Format:   Hardback
Availability:   Available To Order   Availability explained
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The Artist as Reader: On Education and Non-Education of Early Modern Artists


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Author:   Heiko Damm ,  Michael Thimann ,  Claus Zittel
Publisher:   Brill
Imprint:   Brill
Volume:   27
Dimensions:   Width: 15.50cm , Height: 3.30cm , Length: 23.50cm
Weight:   0.977kg
ISBN:  

9789004242234


ISBN 10:   9004242236
Pages:   522
Publication Date:   07 December 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Acknowledgements Notes on the Editors Notes on the Contributors List of Illustrations Introduction: Close and Extensive Reading among Artists in the Early Modern Period HEIKO DAMM, MICHAEL THIMANN, CLAUS ZITTEL I. THE POSSESSION OF BOOKS AND INDIVIDUAL READING 1. Jacopo Pontormo: A Scholarly Craftsman CECILE BEUZELIN 2. Reading with acutezza: Lorenzo Lippi's Literary Culture EVA STRUHAL 3. Gillis van Coninxloo. Der Kunstler als Leser MARTIN PAPENBROCK 4. Pieter Lastman als Leser. Eine Kunstlerbibliothek und ihre Nutzung CHRISTIAN TICO SEIFERT 5. The President as a Reader: Sir Joshua Reynolds and Book IRIS WENDERHOLM II. THE THEORISATION OF READING AND ITS EFFECT ON IMAGES 6. Artists and Knowledge in Sixteenth-century Venice ELSJE VAN KESSEL 7. Reading Rhetoric: Oratory in Gian Paolo Lomazzo's Treatises on the Art of Painting LEX HERMANS 8. Hondius meets Van Mander: The Cultural Appropriation of the First Netherlandish Book on the Visual Arts System of Knowledge in a Series of Artist's Portraits ANETTE DE VRIES 9. Catonem narrare: Charles Le Brun as Reader and Painter of a Stoic's Suicide ECKHARD LEUSCHNER 10. The Collaborative Authorship of Pictorial Invention in Seventeenth-century Italy: Artist, Adviser, and Patron at Palazzo Carignano HUUB VAN DER LINDEN III. BEYOND THE STUDIO 11. Peripatetici pariter et Platonici: Poliziano and Pico della Mirandola and the Library of the Badia Fiesolana ANGELA DRESSEN 12. Nascentes morimur: Francisco da Holanda as Artist, Reader and Writer MARIA BERBARA 13. Commonplaces, and Technical Knowledge: The Architect-Engineer as Reader ALEXANDER MARR 14. Bach - Mattheson. Zwei deutsche Komponisten und ihre Bucher RAINER BAYREUTHER 15. An Evangelist of Taste: The Book Collection of Jeronimo Antonio Gil KELLY DONAHUE WALLACE Index Nominum

Reviews

''This excellent volume, part of Intersections series of Interdisciplinary Studies in Early Modern Culture, focuses on the reading and writing habits of premodern artists who vary in profession from painters and architect designers to musicians [...] this book makes a substantive contribution to the intellectual history of the early modern period. [...] The book's dynamic approach to this subject makes it appealing to historians of a wide range of disciplines including art, architecture design, literature and music''. Lisandra Estevez, Winston-Salem State University. In: Sixteenth Century Journal, Vol. 45, No. 1, 2014, pp. 175-177.


This excellent volume, part of Intersections series of Interdisciplinary Studies in Early Modern Culture, focuses on the reading and writing habits of premodern artists who vary in profession from painters and architect designers to musicians [...] this book makes a substantive contribution to the intellectual history of the early modern period. [...] The book's dynamic approach to this subject makes it appealing to historians of a wide range of disciplines including art, architecture design, literature and music . Lisandra Estevez, Winston-Salem State University. In: Sixteenth Century Journal, Vol. 45, No. 1, 2014, pp. 175-177.


Author Information

Heiko Damm is a research assistant at the Johannes Gutenberg University of Mainz. He received his PhD in Art history from the Freie Universitat Berlin with a dissertation on Santi di Tito (1536-1603) und die Reform des Altarbildes in Florenz. Michael Thimann (PhD Freie Universitat Berlin, 2000) holds a Full-Professorship for the History of Art at the University of Passau (Germany). Among his research foci are artistic knowledge and the education of artists from the fifteenth to the nineteenth centuries, and the reception of Ovidian mythology in the early modern period Claus Zittel, Ph.D. (1999) in Philosophy, teaches German literature and philosophy at the Universities of Berlin (Freie Universitat), Frankfurt am Main, and Olsztyn (Poland). He is Member of the Editorial Board of Intersections . He has published extensively on Cultural History of Science, Literature and Knowledge, including Theatrum philosophicum. Descartes und die Rolle asthetischer Formen in der Wissenschaft (2009) .

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