Overview

This timely and original study transforms our understanding of the relationship between art and economics Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped, and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted—and the art market increasingly an arena for speculation—artists on both sides of the Atlantic turned to economic themes, often grounded in a human context. The Artist as Economist examines artists who approached these issues in critical, imaginative, and humorous ways: Andy Warhol and Larry Rivers incorporated the iconography of printed currency into their paintings, while Ray Johnson sought to disrupt and reinvent circuits of commerce with his mail art collages. Yves Klein and Edward Kienholz critiqued conceptions of artistic and monetary value, as Lee Lozano and Dennis Oppenheim engaged directly with the New York Stock Exchange. Such examples, which author Sophie Cras insightfully situates within their historic economic context, reveal capitalism’s visual dimension. As art and economics grow more entangled, this volume offers a timely consideration of art’s capacity to reflect on and reimagine economic systems.

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9780300232707

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Reviews

The Artist as Economist makes a vital contribution to the study of 1960s art, offering fascinating insights into the complex intersection of art and money, in all its material as well as abstract forms. -Jo Applin, author of Lee Lozano: Not Working

Artist as Economist, in its exemplary equilibrium of specificity and breadth, is one of a number of recent publications that suggest the persistent virtue of thinking between and across contexts, not least when analysing the relationship between capitalism and culture. -Niko Vicario, Art History The Artist as Economist makes a vital contribution to the study of 1960s art, offering fascinating insights into the complex intersection of art and money, in all its material as well as abstract forms. -Jo Applin, author of Lee Lozano: Not Working

“[A] singular and substantive contribution to the study of the dematerialization of art in a moment when both the capitalist world and its enemies were at a point of inflection, much as we are now.”—Marina Vishmidt, caa.reviews “Artist as Economist, in its exemplary equilibrium of specificity and breadth, is one of a number of recent publications that suggest the persistent virtue of thinking between and across contexts, not least when analysing the relationship between capitalism and culture.”—Niko Vicario, Art History “The Artist as Economist makes a vital contribution to the study of 1960s art, offering fascinating insights into the complex intersection of art and money, in all its material as well as abstract forms.”—Jo Applin, author of Lee Lozano: Not Working

Author Information

Sophie Cras is assistant professor at Université Paris 1–Panthéon-Sorbonne.

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