Overview

""Incites us to reflect on fiction and philosophy, knowledge and truth, and brilliantly illustrates the art of the essay."" -- The New Republic ""Every novelist's work contains an implicit vision of the history of the novel, an idea of what the novel is. I have tried to express the idea of the novel that is inherent in my own novels."" -- Milan Kundera Kundera brilliantly examines the evolution, construction, and essence of the novel as an art form through the lens of his own work and through the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, Musil, Kafka, and perhaps the least known of all the great novelists of our time, Hermann Broch. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.

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9780060093747

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Reviews

Highly readable, provocative, and of inspirational force. --Anthony Burgess Incites us to reflect on fiction and philosophy, knowledge and truth, and brilliantly illustrates the art of the essay. --The New Republic Kundera writes with wisdom and force. --The Village Voice Lucid, detached, and epigrammatic ...The book has its author's familiar swiftness and variety of attack and his elegant, provocative irony. --The New Yorker Refreshing, unorthodox, valuable. Incandescent illumination by one of literature's most important voices. --Kirkus Reviews

Author Information

The Franco-Czech novelist Milan Kundera (1929-2023) was born in Brno and lived in France, his second homeland, since 1975 until his death. He is the author of the novels The Joke, Life Is Elsewhere, Farewell Waltz, The Book of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves--all originally in Czech. His more recent novels, Slowness, Identity, Ignorance, and The Festival of Insignificance, as well as his nonfiction works, The Art of the Novel, Testaments Betrayed, The Curtain, and Encounter, were originally written in French.

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