Overview

Full Product Details

Author:   Richard Danson Brown
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 13.80cm , Height: 1.90cm , Length: 21.60cm
Weight:   0.417kg
ISBN:  

9781526151797

ISBN 10:   1526151790
Pages:   328
Publication Date:   01 October 2020
Audience:   College/higher education ,  Tertiary & Higher Education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Introduction: tightrope walking in an afflicted style 1: Doubtful words: the vocabulary of The Faerie Queene 2: Uncommon lines: lineation and metre 3: Proportionable returns: rhyme, meaning and experience 4: Unusual staff: the archaeology of the Spenserian stanza 5: Another cast in different hews: canto form 6: Spacious ways: narratives and narrators Appendix: stanza lead words Bibliography Index -- .

Reviews

'Brown's magisterial monograph revises traditionalist views of Spenser and his place in the literary canon, instead placing him at the forefront of new literary trends and developments.' Maik Goth, Ruhr-Universitat Bochum, The Review of English Studies 'Brown (Open Univ.) analyzes the poetic techniques Spenser used in the creation of his epic poem The Faerie Queene. Working systematically, Brown begins with a consideration of the poem's diction and the way in which Spenser's choice of words affects the reader. He then proceeds to an examination of lineation and meter, and then to a discussion of Spenser's rhymes. The final three chapters tackle progressively larger poetic units: the construction of the individual stanza, the ways in which cantos work and network together, and the narrative technique of the individual book.' B. E. Brandt, emeritus, South Dakota State University, Choice 'The Art is organized in a pleasing crescendo, working upwards chapter by chapter from words, to lines, to rhyme groups, to stanzas, cantos, and finally the whole poem. At all levels, it proceeds not by deductions from the allegory, but by induction from linguistic patterns, and Brown's ambition is to refresh our reading by close attention to considerations of style . Brown's work with Lethbridge on the Concordance has meant that he can never unhear the desultory iambic shuffle of the stanza going through its courteous motions. But he has remained alert to those moments - and they are so many; and from reading to reading, are they ever the same moments twice? - when mere half-hearted ceremony quickens into revelation. That effect is a distinctive art of The Faerie Queene, to which his book is now our best guide.' The Spenser Review -- .

Author Information

Richard Danson Brown is Professor of English Literature at The Open University

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