The Art of Re-enchantment: Making Early Music in the Modern Age

Author:   Nick Wilson (, King's College London)
Publisher:   Oxford University Press Inc
ISBN:  

9780199939930


Pages:   320
Publication Date:   05 December 2013
Format:   Hardback
Availability:   To order   Availability explained
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The Art of Re-enchantment: Making Early Music in the Modern Age


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Full Product Details

Author:   Nick Wilson (, King's College London)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 24.20cm , Height: 2.50cm , Length: 16.80cm
Weight:   0.594kg
ISBN:  

9780199939930


ISBN 10:   0199939934
Pages:   320
Publication Date:   05 December 2013
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Table of Contents Preface i-viii Acknowledgements ix-xii Table of Contents xiii-xiv Part I: Making Early Music Chapter 1: Introduction 1-31 Chapter 2: Seven Ages of Early Music 32-61 Chapter 3: Transcending Text & Act? 62-94 Part II: Making Early Music Work Chapter 4: A Tale of Two Authenticities 95-127 Chapter 5: Shake Rattle and Roll 128-157 Chapter 6: Holding History in Their Hands 158-188 Early Music in Early Music (illustrations) Part III: Making Early Music Pay Chapter 7: Spinning Out Early Music 189-221 Chapter 8: Jumping On the Old Band Wagon? 222-252 Chapter 9: Everything To Play For 253-282 Part IV: Making Early Music In the Modern Age Chapter 10: The Thief Who Came To Dinner 283-314 Chapter 11: The Ineluctable Ore of the Authentic 315-346 Chapter 12: The Art of Re-enchantment 347-377 Appendix A Timeline of Western Classical Music 378 Notes References 379-410 Index

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Author Information

Nick Wilson lectures in creativity and arts management at the Department of Culture, Media & Creative Industries (CMCI), King's College London. His characteristically interdisciplinary approach draws on personal experience as a professional singer, including with many of the leading early music ensembles; arts manager, especially artist representation and concert promotion; and research-led educator in creativity, entrepreneurship, and arts-based learning.

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