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9781137436894

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Regimes of segregation and inequality leave rigid marks on urban space that are difficult to undo. In this book, Kim Gurney analyzes a series of artistic interventions in the spaces of Johannesburg that challenged those marks. She masterfully shows how performances conceived in the spaces of the ordinary worked to undo rigidities of spatial separations and to forge alternative publics. - Teresa Caldeira, University of California, Berkeley, USA The Art of Public Space powerfully reiterates the ways in which urban actors do not inhabit worlds of preconceived social or subjective forms, but rather ever-shifting milieus where different ways of conceiving and enacting life intersect, and that artistic practice is a critical technology in re-imagining and reshaping these intersections. All technical practices conduct events, but artistic work is proving most salient in opening up urban contexts to events that anticipate and posit new ways of living together. Leveraging the multiplicity of performances that make up everyday Johannesburg, the artistic projects offered here attempt to reconfigure what its residents already see and experience but in ways that push it somewhere else, which collate and intensify these perceptions and experiences into new common grounds. - AbdouMaliq Simone, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany, and Goldsmiths College, University of London, UK

Regimes of segregation and inequality leave rigid marks on urban space that are difficult to undo. In this book, Kim Gurney analyzes a series of artistic interventions in the spaces of Johannesburg that challenged those marks. She masterfully shows how performances conceived in the spaces of the ordinary worked to undo rigidities of spatial separations and to forge alternative publics. - Teresa Caldeira, University of California, Berkeley, USA Powerfully reiterates the ways in which urban actors do not inhabit worlds of preconceived social or subjective forms, but rather ever-shifting milieus where different ways of conceiving and enacting life intersect, and that artistic practice is a critical technology in re-imagining and reshaping these intersections. All technical practices conduct events, but artistic work is proving most salient in opening up urban contexts to events that anticipate and posit new ways of living together. - AbdouMaliq Simone, University of South Australia, Australia

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Kim Gurney is a visual artist, journalist and academic. She is a Research Associate at the University of Cape Town's African Centre for Cities and the University of Johannesburg's Visual Identities in Art & Design Research Centre, South Africa. Her own art generally engages invisibilities or disappearance and attempts restorative gestures, and she runs a nomadic offspace for experimental work.

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